Imagine you’ve got major news stories breaking everywhere and an understaffed newsroom coping as best they can with an inundation of content coming in. With the industry’s most integrated, interconnected newsroom solutions, Avid can help you achieve a new level of production capability.
Imagine you need to produce a new, high-end reality show that features a few wrinkles TV audiences have never seen before. With the power to work quicker and more collaboratively, Avid can help you achieve the viewer engagement and ratings necessary to make your show an unqualified success.
Imagine you’ve got a stadium full of fans you need to get out of their seats and onto their feet. Now you can achieve a level of entertainment that keeps those fans coming back or tuning in time after time-no matter how your team is doing on the field.
Media Composer 6 107: Exporting and Sharing by Jeff Greenberg Video 27 of 35 for Media Composer 6 107: Exporting and Sharing All the cuts have been made. Everything’s looking and sounding good. The client has granted approval. Now its time to get this final production out into the world! In this tutorial Jeff Greenberg…
Media Composer 6 107: Exporting and Sharing by Jeff Greenberg Video 12 of 35 for Media Composer 6 107: Exporting and Sharing All the cuts have been made. Everything’s looking and sounding good. The client has granted approval. Now its time to get this final production out into the world! In this tutorial Jeff Greenberg…
Details how to sync and group a Multi Camera shoot in AVID Media Composer for Assistant Editors on Reality TV programs. Covers MultiGroup, Groups, Custom Views, Patching Tracks, and Syncing up video clips. If you need footage to practice with: 1) Set an analog clock to 12:00 and video tape it using any camera (even…
In this tutorial, Kevin P McAuliffe gets you started in Avid’s Media Composer 6, and talks about some important concepts that you need to understand before you start editing. This tutorial series will teach you everything you need to know about not only Avid’s Media Composer, but Avid’s Symphony as well.
A very basic run through of Canon C300 AMA linking into Avid Media Composer 6.0.1
A very basic run through of Canon 5D Mk3 AMA linking into Avid Media Composer 6.0.1
This tutorial shows how shows what to do if your footage is interlaced and your timeline is progressive and vice versa in Avid Media Composer.
This tutorial shows how how to do a Frame rate conversion if the Input and the Output are both Interlaced or both Progressive and also how to do a Frame Rate Conversion from Progressive Footage to Interlaced Footage in Avid Media Composer.
This tutorial shows how to do a simple slow-down and speed up using Twixtor in Avid Media Composer.
In this tutorial, Kevin P McAuliffe shows you how easy it is to edit multicam footage with no timecode reference in Avid’s Media Composer 6 and Symphony 6.
To finish off our introductory look at Avid’s Media Composer, Kevin P McAuliffe takes a look at outputting both to tape, and to a file. This way, whether you need to output your final show for a client, or get a file ready to work with in After Effects, you’re going to be covered!
In this lesson, Kevin P McAuliffe shows you Media Composer’s "Go To" effect, the 3D Warp, and how easy it is to create basic titles for your sequence. Then, to wrap it all up, he shows a great and often overlooked feature of the basic title tool, that will have you staying in your NLE…
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