Now that you’ve edited clips into your timeline, in this lesson, Kevin P McAuliffe shows you how to move clips around inside of your edits using the Segment Modes feature, accessed right from within your timeline. This is a must watch lesson for FCP7 or any editor switching to Media Composer, as it shows a…
AMA makes it easy to access and edit file-based media without transcoding. Now you can use AMA to export files back to the media’s original source format for archiving or final delivery through Avid Media Authoring, which will be available as our partners update/develop their AMA plug-ins. And with new AMA Volume export support, you…
Kevin P. McAuliffe harnesses the power of Boris Continuum Complete v8 AVX’s Particle Emitter 3D filter to create engaging particle effects directly from within Avid Media Composer, giving his Avid titles a “particle overhaul”.
With Avid Media Composer 6.5, you can now monitor more complex soundtracks with support for up to 64 audio voices. Combined with robust audio tools, 7.1 surround sound and RTAS plug-in support, and unmatched integration with Pro Tools, the Media Composer family of products offers the best built-in audio tools for video editors than any…
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_15 In this lesson, Kevin P McAuliffe gives you an introduction to effects work inside of Media Composer, by showing you the 3D Warp Tool. It’s the equivalent to the clip based parameter adjustments (Scale, Position, Rotation, etc) you can make inside of FCP or Premiere Pro CS6. This is going to be your “go…
Many people don’t realise the power of Media Composer’s ability to have effects on ‘filler’ – it’s a lot like an adjustment layer in Photoshop. With a little experimentation it can deliver some great results.
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_14 In this lesson, Kevin P McAuliffe talks about working with basic transitions in your timeline. He shows you the long way, and the short way to access the effects, and also shows you everything you need to know to adjust transitions once they’ve been applied in your timeline, as well as quick ways to…
Webinar hotsed by Avid Technology featuring eyeon Software Products include Connection 1.5 to Fusion 6.4 Presented by Jeff Krebs Thank You to Eric Westphal, Blazej Floch and Matt Feury
Learn to edit like a pro regardless of past software experience. Avid Master Editor, Steve Hullfish, will guide you through a series of information-packed lessons.
Learn to edit like a pro regardless of past software experience. Avid Master Editor, Steve Hullfish, will guide you through a series of information-packed lessons.
Requiring only a NewsCutter or Media Composer editor and an internet connection to an Interplay Production workgroup, Interplay Sphere connects multiple remote editors simultaneously, letting them combine footage from the scene with material on the Interplay Production system. For quick turnaround, proxies of finished edits can precede upload of full resolution media, all becoming available…
Manhattan Edit Workshop Director of Education Janet Dalton’s Avid Tutorial for hiding jump cuts.
Manhattan Edit Workshop Director of Education Janet Dalton’s Avid Tutorial for using the Quick Trim tools.
Manhattan Edit Workshop Director of Education Janet Dalton’s Tutorial for Filling Titles With Video in Avid Media Composer 6.
This short tutorial from Igor Ridanovic walks you through basics of custom configuration of the new Avid transport surface in DS v11.
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