Top 10 Changes to Media Composer 7: FrameFlex | Color Management
Quick review of top 10 Media Composer 7 features – FrameFlex | Color Management By: Wim Van den Broeck @editorbelga Footage courtesy of Mayca Teba: http://www.maycateba.com
Media Composer® 7 ‒ Hi-Res Workflows Featuring FrameFlex™ ‒ Avid
Acquire high-resolution media and deliver in HD—with full creative control of reframing. More content today is shot with high-res cameras, but the majority of programming is still HD. With the new FrameFlex tools, you can immediately start working in HD directly from high-res sources and maintain full creative control of the image reframing and keyframing,…
Avid Media Composer/Symphony 7 in 4 minutes
Screen recorded using my 2008 Macbook Pro so bare with the lags. These are the key new features I’m excited about in the latest update to Avid Media Composer and Symphony. For more info on all the new features look at the official Avid Documentation here: http://avid.force.com/pkb/articles/en…
NewBlue Titler Pro for Media Composer Basics 2 of 3
Hello, this is Travis White with NewBlue, and I’m here to show you NewBlue Titler Pro Basics inside Avid Media Composer. Click here to see the other NewBlue Videos. In Part Two, Travis teaches us how Titler Pro 1.0 can help you easily customize and manipulate titles, including: Leading and kerning Highlight subsections of text…
NewBlue Titler Pro for Media Composer Basics 1 of 3
Hello, this is Travis White with NewBlue, and I’m here to show you NewBlue Titler Pro Basics inside Avid Media Composer. Be sure to scroll down to see both Parts 2 and 3 in this post. Click here to see the other NewBlue Videos. In Part One, he shows us step-by-step instructions for how to…
Pro Tools® 11 ‒ The New Standard for Audio Production ‒ Avid
The most powerful digital audio workstation just got more powerful. Pro Tools 11 redefines professional music and audio production for today’s workflows. From all-new audio and video engines and turbocharged 64-bit performance, to expanded metering and new HD video workflows, Pro Tools 11 enables you to take on the most demanding sessions and maximize your…
Learn Media Composer Lesson 84: Creating DVDs Part TWO
http://library.creativecow.net/mcauli… In this lesson, Kevin P McAuliffe talks about encoding your exported Media Composer timelines using Apple’s Compressor. This lesson is specifically focused on Editors who have made the switch from Final Cut Pro/Studio to Avid’s Media Composer, but still want to get the most out of the applications in the bundle, and not have…
Avid CS Portal: Master Account Overview
Avid Support Plan customers and support partners can use the Customer Portal, Avid Master account, and download center as a fast and easy way to submit cases online, anytime, to Avid Customer Success. https://my.avid.com https://shop.avid.com https://my.avid.com/esd http://community.avid.com For more videos regarding the Avid Master Account Click here
Avid CS Portal: Important Customer Support Portal Changes
Avid Support Plan customers and support partners can use the Customer Portal as a fast and easy way to submit cases online, anytime, to Avid Customer Success. For more videos regarding the Avid Master Account Click here
Learn Media Composer Lesson 83: Creating DVDs Part ONE
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_83 In this first of a multi-part tutorial series, Kevin P McAuliffe takes a look at setting up your Media Composer or Symphony timelines for creating SD DVD’s. He covers formatting issues you need to keep in mind, as well as the proper way to export your sequence in three important, but very different ways.
Learn Media Composer Lesson 82: Consolidate/Transcode
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_82 In this lesson, Kevin P McAuliffe answers a common question, and that is “What is the difference between Consolidating and Transcoding?”. Not only does he explain the difference and show you how easy both are to use, but he also discusses Batch Importing, and how what might seem like the best way to work,…
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Greg Spence, Game of Thrones ‒ The Rough Cut
In this episode of The Rough Cut, producer Greg Spence gives us an inside look at their visual effects process and how they blend great location scouting with digital imagery to make fantasy a reality. With a workflow that often begins on location in the harshest conditions, Greg walks us through a post process that…
Learn Media Composer Lesson 81: Multichannel Audio Exports
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_81 In this lesson, Kevin P McAuliffe answers a viewer’s e-mail about creating multichannel audio exports. Most people think that this is a hardware limitation for most PC’s and Mac’s, but Kevin quickly shows you that this is very easy to set up right from within your export settings, and once you have a preset,…
Learn Media Composer Lesson 80: Creating Client Approvals
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_80 In this lesson, Kevin P McAuliffe answers a viewer’s question about how to create client approval Quick Time files in MC/Symphony. To take things to the next level, Kevin also shows you how to create HD YouTube files ready to upload to show your work to the masses.
Learn Media Composer Lesson 79: Power Keyboard Settings PT 2
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_79 In this lesson, Kevin P McAuliffe continues his talk about Power User keyboard settings and you’ll quickly see that you don’t need to remap the entire keyboard to speed up your workflow. In most cases, it’s simply about choosing the right tools to have at the tip of your fingers to get the job…
