In this tutorial you’ll learn the fundamentals of using NewBlue Titler Pro within Avid Media Composer. See how easy it is create: • Title templates which allow you to create fast and efficient text replacement using the Quick Edit interface found in Titler Pro 2.5. • Flexible options for character sizing and position • Object…
Learn how to Rotoscope to create moving mattes within Avid Media Composer. This tutorial demonstrates how to clone a moving object ( the skateboarder).
This tutorial will teach you the different keyboard shortcuts for using Bins in Avid Media Composer. You’ll learn how to create a new bin, create a new sequence, adjust the size of frames in a bin, sort bin columns and more. TONS more info and resources on the Edit Video Faster website: http://wp.me/P4J1Oy-g Bins Keyboard…
In this tutorial you’ll learn the fundamentals of using NewBlue Titler Pro within Avid Media Composer. Discover the various ways to: • Apply resolution independent titles to your Media Composer timeline • Use the library to apply quick styles and animations • Create multi-title sequences in a single clip • Re-use library designs for repetitive…
Welcome to the fifth episode of our 5-part tutorial series ‘Get Started Fast with Media Composer for High-Res Workflows’ on Avid Blogs. In this final lesson Kevin P McAuliffe shows us how to export larger than HD media and create high-res masters from Media Composer, but also focus on Resolve roundtripping, as well as exporting…
Welcome to the fourth episode of our 5-part tutorial series ‘Get Started Fast with Media Composer for High-Res Workflows’ on Avid Blogs. Using an Instagram project as an example, in this lesson I will show you how to set up and work with Custom Frame Sizes; from adjusting your footage and clips with FrameFlex to…
In this video we look at how to change the brightness of our interface in Avid Media Composer. When you first open Media Composer you will be greeted with a light gray interface. This is easily changed by going to SETTINGS, Interface, and adjusting our slider. These settings will be remembered with your Media Composer…
Welcome to the third episode of our 5-part tutorial series ‘Get Started Fast with Media Composer for High-Res Workflows’ on Avid Blogs. In this video, I will focus on editing in High Res projects specifically; starting with the concept of Color Encoding and FrameFlex adjustments, explaining how to use the Proxy Timeline, as well as…
When editing in Media Composer, often it is helpful to show the audio waveforms of your audio/music/voice clips in order to have a visual reference when cutting and editing clips. Media Composer gives you a couple ways to show your waveforms. You can show them all, or you can show them on selected tracks only….
Welcome to the second episode of our 5-part tutorial series ‘Get Started Fast with Media Composer for High-Res Workflows’ on Avid Blogs. This lesson focuses on the core concept of linking and transcoding, and everything an editor or assistant editor needs to know to make sure their media appears properly, and in the right codec…
When you render an effect in Media Composer you can have it play a tone upon render completion. This is helpful when you are waiting on a few effects to render and you may be a few feet away or, like me, you may be using your phone. The render tone can let you know…
Welcome to this first episode of our 5-part tutorial series ‘Get Started Fast with Media Composer for High-Res Workflows’ on Avid Blogs. In this lesson Kevin P McAuliffe will give you a general overview of setting up a larger than HD project, and I’ll discuss more of the basic concepts of Media Composer, with the…
In this video we look at how to use Top and Tail to edit in Media Composer across multiple tracks/clips (audio and video) in our sequence. Top and Tail Editing will have you speeding through your edits like never before! Try it out and I’m sure it will become an integral part of your editing…
Remove all audio effect in Avid – Media Composer
Presented by: Daniel Huber For all Media Composer users, learn how to overcome common color space challenges by examining RGB and 601/709 color mapping. Learn how to properly represent and maintain color values when importing, exporting, or linking to sources. And recognize the differences when media is displayed on source, record, and client monitors.
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