Access media and work on projects from practically any device, everywhere, using MediaCentral | UX (formerly Interplay Central), a cloud-based, web front-end to the Avid MediaCentral Platform. Whether you connect from a desktop computer, laptop, or mobile device, you get a unified experience (UX) to work whenever, wherever, and with whatever you want.
Jon Avid Customer Care will explain what DMF or Dynamic Media Folder is in Media Composer. DMF can help out with copying, transcoding, moving files. Avid Customer Care How-To video series covers basic operation of your Avid software, system troubleshooting, quick tips, and much more.
In this tutorial I’ll show you how to create and use custom Quick Transitions. Quick Transitions Bin: http://www.editvideofaster.com/produc… Website: http://www.editvideofaster.com Twitter: @editvideofaster https://twitter.com/editvideofaster Tutorial on how I setup my bins and folders: http://youtu.be/Gnmwx_qjwAE Stock Video by VideoHive: http://videohive.net/?ref=shortedits (affiliate link) I come out with a new tutorial every Friday. Make sure to subscribe to the
In this tutorial, see how to use Avid Media Composer to track a mask: a technique you can use to blur out faces in your footage, for example. This specific tutorial is from the Video Post Tips Weekly series presented by lynda.com author Ashley Kennedy. The complete course is presented as a weekly lynda.com series
Kevin P. McAuliffe shows us how to use flash transitions to instantly stylize your video in Avid Media Composer. ► Download a free sample of the Rampant Studio Flash Transitions here: http://www.mediafire.com/download/4i0… ►Download the complete Rampant Studio Flash Transitions library here: http://rampantdesigntools.com/product… ►Sign up for the Rampant Newsletter: http://rampantdesigntools.com/newslet… ►Follow Rampant on Twitter – @RampantDesign
This tutorial goes over how to set clip color in Avid Media Composer. I’ll go through two ways to set clip color, how to remove it and how to be able to set it to any color outside the default options. Website: www.editvideofaster.com Twitter: @editvideofaster https://twitter.com/editvideofaster Contact: http://www.editvideofaster.com/contact/ VideoHive: http://videohive.net/?ref=shortedits (affiliate link) I come out
Control the Audio Faders of the Avid Media Composer with your iPad. It is REALLY simple and responsive and you can have this RIGHT NOW if you have an iPad. All the links, diagrams and the info necessary is at my blog post: http://digitalworkstudios.com/video-editing-tips/avid-media-composer-lemur-app/ Questions? Ask me on twitter.com/rickymendozaorg or comment below the video on
This tutorial is an overview of the Paint Effect in Avid Media Composer. We’ll go through the following modes: Solid, Clone, Blur, Saturation and Erase. We’ll also dive a little into keyframing. Here are the links I talked about in the video: Twitter: @editvideofaster https://twitter.com/editvideofaster Contact: http://www.editvideofaster.com/contact/ VideoHive: http://videohive.net/?ref=shortedits (affiliate link) I come out with
Hey there! This tutorial is on how to set how many default video and audio tracks are made when you create a new sequence in Avid Media Composer. Let me know what you think! Did you find this helpful? Remember to subscribe to this channel to hear first about new tutorials for After Effects, Avid
For those who might be new to Avid Media Composer, here’s a quick tutorial on how to make custom transitions with the built-in PAINT EFFECT. Flash to white, blur dissolve…combo of both. A tip you can then apply many options to. – See more at: How to Create Custom Scene Transitions with the Paint Effect
Media composer and connect to the cloud is a video that shows an example of using the Avid MediaCentral Platform quickly and efficiently produce breaking news.
For more information on our products, please visit http://www.redgiant.com Here is a quick run throgh of how to use PluralEyes 3 software with Media Composer.
In this video we look at how saving effect settings for commonalities between clips can really speed up your editing session. As a Media Composer user, you probably already know how to save effect settings. But, you can also save a partial set of settings that will apply to several clips, and then go back
This tutorial demonstrates how to leverage Avid’s powerful and efficient color correction by working in Color Correction mode, which allows you quick access to its color grading features but keeps them out of the way while you’re editing
Media Composer quick tip to remain in color correction mode while jumping to in or out marks. Triggered by a question on the DS list about Goto In or Out while in color correction mode of the Media Composer. Frustration loomed as editors were forced back into source/record mode wasting valuable time and keystrokes to
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