There are a number of great new features in Media Composer 5 in terms of how you work with audio. We’ll start by looking at the new Stereo Audio feature. Now when you add an audio track to Media Composer you have the option of adding a mono track or stereo track. We no longer
Create interesting effects by pushing the shadows and highlights of a shot towards different hues.
When Media Composer® 5.0 was first introduced in 2010, one of the biggest changes to the application was the introduction of the SmartTool. The SmartTool is a palette or a collection of five different modes that are very common to working in the timeline. In Media Composer 5.5, the Keyframe button has been moved out
Learn how to create a transport beam effect using a chroma key filter within Avid Media Composer.
Learn how to use a combination of effects to create a 3D world within Avid Media Composer.
Learn how to fix jump cuts using the Fluid Morph effect within Avid Media Composer.
Learn how to use a combination of Avid Media Composer and the Marquee Title tool create an amazing light streak effect.
Learn how to use the magic mask effect in Avid Media Composer to create an effect similar to the Pleasantville effect. You can view a full text transcript of this tutorial by visiting: http://www.geniusdv.com/news_and_tutorials/2011/01/magic_mask_in_avid_media_c…
It’s almost Christmas and I did the Santa last year. What’s left? Snow! So this week, we’re going to add snow to an image and we’ll use a couple of advanced options to make it look ab bit more real (or a bit less fake, depending on your perspective).
This week, we’ll continue creating a semi-transparent video progress bar as you know them from Youtube et. al. Last week, we created the background elements in Marquee, this week, we’ll create the remaining elements and then animate them in Media Composer. Here is a direct link to part I below:
This week and next, we’ll create a semi-transparent video progress bar as you know them from Youtube et. al. We’ll create the elements in Marquee, then (next week) animate in Media Composer. The cool thing about this approach is that you’ll be able to change the length of the animation to fit your piece of
This week, another viewer suggestion: We’ll create the high-contrast, saturated look that is common to many sports trailers. We’ll also play around with BCC’s Glow and add some flicker to the shots.
Distort and degrade your shots to give it the look of surveillance camera footage.
Learn how to use Avid Media Composer’s animatte feature to color correct video. You will also learn how to create a moving matte using Avid Media Composer’s tracker.
In this last episode in the audio series, I’ll show you how to apply audio effects in Media Composer and a couple of neat real-world tips (like limiting you master output) that will hopefully help you out one day or another. This is a seven part series with Audio Settings, here are direct links
Hi, I’m the guy updating this site. I hope you enjoy it, and that it’s useful for you. I don’t make the videos here, but I do collect them and add it here, so you can find them.
If you enjoy this page, and you absolutely want to give something back for my work of collecting these, then here is my paypal.
