In this lesson, part 2 of our look at GenArts Sapphire’s Builder tool, Kevin P McAuliffe goes in depth to show you how he created the “Inner Limits” show opening element he teased in the first part of this tutorial series. As complicated as it might seem, you can quickly and easily create looks like
Colorist & finishing artist Dan Harvey shows Boris Continuum Complete + Avid Media Composer users the main differences between three different types of motion tracking available through Boris FX and Imagineer Systems. Part I. Covers the point motion tracker built into BCC for simple motion tracking tasks. Part II. Covers the integrated mocha/BCC Pixel Chooser
BCC Lens Correction is a plug-in designed to the remove lens distortion introduced by wide angle lens, fish eye lenses, and GoPro cameras. Freelance Editor Nathan Ryan shows Continuum Complete 10 and Avid Media Composer users how to easily fix and fine tune distortion, warp, and perspective issues using the new Lens Correction filter. Footage
In this short tutorial, editor Nathan Ryan shows Avid Media Composer users a few different methods, tips, and tricks for quickly fixing flickering footage with Continuum Complete. For more information on Continuum Complete, please visit: https://www.borisfx.com/products/cont…
Kevin P. McAuliffe is back to show Media Composer users how to easily create multi-page credit rolls in a matter of minutes using the new BCC Title Studio. Plus, working in HD and adding supers and title crawls – all without leaving your timeline. Learn more about Continuum Complete 10 for Avid: borisfx.com/products/continuum-complete/?host=avidHost
Kevin P. McAuliffe shows Avid Media Composer users how to quickly create animated credit scrolls using the new BCC Title Studio. Simply type in text, import a text file or add logos to your scroll in minutes.
UK-based colorist and trainer Dan Harvey shares tips for color correction & grading inside Avid Media Composer. Get quick looks with filters like Fast Film Glow and Fast Film Process or use the integrated mocha/PixelChooser masking tools to complement the native Media Composer color correction tools. Learn more about Continuum Complete 10 – https://www.borisfx.com/products/cont…
In Avid Media Composer 8.4 we now have the ability to recall AAX Plugin presets in the same fashion as Pro Tools. Have you ever created the perfect preset in Pro Tools and wanted to use that easily within Media Composer? Well now you can! Easily recall the factory presets and presets that you have
Ever encounter flickering in your video from LEDs, fluorescent lights or from other sources that you didn’t notice in the field and ruin what would otherwise be a great shoot? Check out our tutorial for Flicker Free, our simple to use deflickering software plugin available for Media Composer that deals with all the flicker problems
Avid certified instructor Nick Huraz takes you through the steps of building a custom transition with Sapphire Builder. The transition combines DissolveRays with LightLeak and Vignette for a warm, glowing look.
Learn how to integrate iZotope Insight in Avid’s Media Composer 7 to ensure loudness compliance through every step of the post production process.
Learn how to use iZotope’s RX Loudness Control as an offline process within Adobe Media Composer to make your completed mix broadcast compliant. Download your free, 10-day trial: www.izotope.com/rxloudnesscontrol
For more information on our products, please visit http://www.redgiant.com Here is a quick run throgh of how to use PluralEyes 3 software with Media Composer.
Part II of “Recreating the Universal Studios Logo”, you’ll create a 3D animated globe from a flat image. Plus you’ll manipulate rotating cameras, add BCC filters (Glow, Hue-Sat-Lightness, Levels Gama and Clouds), and enhance the multi-dimensional effect with 3D shadows. In combo with Part I, your new logo or opening graphic can be applied across
In this two-part series of Boris TV, Paul Ezzy shows you how to recreate the iconic Universal Studios logo – animated 3D text on an animated 3D globe. The versatile logo or opening graphic style can be applied across multiple genres, including a global newscast, an environmental docu-series or a reality series race. In Part
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