In this lesson, Kevin P McAuliffe talks about moving clips around your timeline(s) by using the Smart Tools at the left of your timeline. He also talks about a powerful shortcut, the Extend Key, and why you’re going to want to have it mapped as a keyboard, or composer shortcut!
In this lesson, Kevin P McAuliffe shows you how, using BCC 10, Sapphire 10 and a little help from Photoshop, you can create realistic Night from Day shots quickly and easily in Avid Media Composer.
In this lesson, Kevin P McAuliffe talks about the newest release of Media Composer, version 8.9. Along with some interface changes, there has been some great updates to the Source Browser, Audio Mixer, Color Correction tools AND you now have the ability to adjust audio sync at the sub-frame level. All of these features, plus
In this lesson, Kevin P McAuliffe gives you an overview about Bins, and how to get in and not only create Bin Views, but also how to quickly sift through your bins, add and remove column information, and even play back thumbnail footage directly inside of the bin itself. MC|F’s bins really are the best
n this lesson, designed to compliment an article written over at ProVideo Coalition, Kevin P McAuliffe talks about how to set up your timeline for exporting for DCP creation. We cover how to convert your timelime from HD to DCP Flat (1.85:1) aspect, how to apply the XYZ LUT, and where to find it, and
In this lesson, Kevin P McAuliffe is talking about BCC’s Title Studio, and a great “under the hood” feature that will really speed up your editing workflow. What’s the most difficult part about creating credit sequences? It’s getting in and adjusting the names if you’re made a mistake, or changes have been made to your
In this lesson, Kevin P McAuliffe talks about getting media into Media Composer | First, and it’s done via the Source Browser. The Source Browser works the same as in the full version of Media Composer, BUT, there’s a fantastic “downgrade” to the Transcode window, that has a very cool feature that Media Composer editors
In this lesson, Kevin P McAuliffe talks managing your settings in Media Composer | First, the new, free, version of Avid Media Composer. We cover all the settings that you need to make sure that you editing experience is as smooth and easy as it can possibly be. Channel: www.youtube.com/letseditMC_avid Facebook: http://www.facebook.com/LetsEditwithM… Twitter: @kpmcauliffe e-mail:
In this lesson, Kevin P McAuliffe talks about getting yourself up and running with Media Composer | First, the new, free, version of Avid Media Composer. The first, and most important thing to understand is the Application Manager and your Avid Account, as they are directly tied to the application launching. From there, we move
In this lesson, Kevin P McAuliffe talks about a great feature added in version 8.6 of Media Composer, and that’s Mask Margins. Working in timelines with clips that have different letter boxing can become frustrating when you’re attempting to adjust them to give them one, consistent letterbox. Working with Mask Margins removes that frustration from
In this lesson, Kevin P McAuliffe takes a look at how to create the Lego Batman logo look using BCC’s Title Studio. Whether you’re using Title Studio’s standalone or plug-in version, you have a ton of flexibility with this effect, and can create powerful animations that you normally can only do in a compositing application!
In this lesson, Kevin P McAuliffe talks about some power editing tips, when it comes to transitions in your timelines, and focuses on the Head/Tail Fade commands and the Transition Manipulation Smart Tool, a great and under utilized tool that gives you complete control over your transitions, in a very visual way!
In this lesson, Kevin P McAuliffe takes a look at creating a realistic camera shake effect. The only problem is the best way to do the effect is in After Effects, so, how to you take that information, and transfer it back to Media Composer so you can use it as an effect? That’s where
In this lesson, Kevin P McAuliffe is addressing another issue that was asked about recently on the Avid Editors of Facebook page, and that is how to get back Master clips that have either been deleted, or are missing (for some reason), from your project. It can seemingly be a frustrating task to track them
In this lesson, Kevin P McAuliffe takes a look at one of the best effects inside of BCC 10, Lens Flare 3D, and shows you how, at first glance, it might seem to be missing some tracking capabilities, but once you look a little further under the hood, you’ll quickly realize how you can integrate
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