As always, don’t forget to like, Subscribe and share this video across your social channels. Now, I know in the last lesson I promised (well, not quite) that we would talk about editing in this lesson? Well, before we do that, it’s important to take a look at the most important setting you will need,
Don’t forget to like, subscribe and share this video! In this lesson, we’re wrapping up our media acquisition masterclass by talking about Transcoding for your workflow. Are you doing your offline in Media Composer, and finishing in another application? No problem. Are you doing both your offline and online in Media Composer? Simple. Are you
Don’t forget to like, subscribe and share this video! In this lesson, we’re continuing our look at each clips Source Settings by talking about Color Encoding, Media Composer’s fancy way of saying LUT’s. The Color Encoding window is just that. A way to add LUT’s to your footage to convert them from the acquisition color
Don’t forget to like, subscribe and share this video! In this lesson, we’re back tracking a little. Up until this point, everything is great, assuming the footage that we’re working with, matches the project size that we created. But what if it doesn’t? In this first, of a three part tutorial arc, we’re going to
Don’t forget to like, subscribe and share this video! We’re taking a little side-step in this lesson, as we were originally going to talk about settings, but after a question was asked in the previous lesson about why you shouldn’t edit with Linked material, I thought we should cover THE MOST IMPORTANT LESSON YOU’LL WATCH
Don’t forget to like, subscribe and share this video! In this lesson we’re moving things along, and we’re going to get you bringing footage into your projects. We’re going to talk about the Source Browser, and everything you need to know about it, along with some other great tid-bits AND, we’ll talk about the second
Don’t forget to like, subscribe and share this video! In this lesson, we’re going to get started in Media Composer with a quick introduction to the interface, and then we’re going to talk about Bin Containers. Bin Containers are a controversial subject with Avid Editors, as the change was made to them a few years
Don’t forget to like, subscribe and share this video! In this lesson, we’re talking Project Selection and Creation. Most current Media Composer editors just fly through this screen when creating a project. Did you know you can find out all about the version you’re working on here? Also, we discuss project locations and what is
Don’t forget to like, subscribe and share this video! WE’RE BACK!!!! In this introductory lesson, Kevin P McAuliffe talks about import things to consider, before you start your edit! Whether you’re working with RED footage, or BRAW, or don’t know where you should put your project, or how media works in Media Composer, this lesson
In this lesson, Kevin P McAuliffe talks about the Bin Modes. Whether you’re working in Text View Mode, Frame View Mode or Script View mode, there are so many options to organize yourself, you can get a little lost if you don’t know what you’re looking for. In this lesson, we’ll look at all three
In this lesson, Kevin P McAuliffe talks about the Avid Attic. Once the discussion of bins starts, backups of those bins is next, and probably one of the most important topics you will learn, as there will always be times where something is deleted, whether by accident or not, where you’ll need to get it
In this lesson, Kevin P McAuliffe gives you an introduction to Bins. Now, you might be thinking that Bins are pretty straightforward. They’re a place to put your clips. Yes, that’s true, but there is so much more to them, then just a place to put your media. Bins will be the focal point of
In this lesson, Kevin P McAuliffe talks about things you really need to consider, to set yourself up for success. From naming your bins and folders properly, to organizing yourself outside the application, much like with many things in Media Composer, with a little bit of planning at the beginning, you can set yourself up
Boris FX’s Continuum is a staple of my workflows, and each year the team gives it some much needed love in the form of updates with bug fixes and new effects, and this year is no different. HOWEVER, what IS different this year is that Boris FX has purchased the Digital Film Tools suite of
Now, you might be thinking…”Hang on…did I miss a ton of lessons?” No, you didn’t. When I teach Media Composer, I teach the importance of Project Setup, Transcoding and Consolidating and Exporting. This is where projects fall off the rails. Make one mistake in any of these three sections, and your project will be in
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