http://library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_12 In this lesson, Kevin P McAuliffe wraps up his look at the main settings you will need to get up and running in Media Composer by looking at the Marquee Title, Media Creation, Timeline and Workspace settings.
In this Boris TV episode, Kevin P. McAuliffe shows you how to remove flicker from video or fix pesky auto-iris camera issues using Boris Continuum Complete’s Flicker Fixer filter in Avid Symphony.
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_11 In this lesson, Kevin P McAuliffe shows you the last two “common” ways to bring footage into Media Composer, and that is importing and AMA linking to, and discusses why it’s important that FCP editors switching to Media Composer are going to want to pick the right one, so they are up and running
http://library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_10 In this lesson, Kevin P McAuliffe discusses probably the most important setting, and that is the keyboard setting. He also shows you, how in conjunction with the command palette, you will be able to map just about any command to any button on your keyboard or editing interface, and even talks about why you
http://library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_9 In this lesson, Kevin P McAuliffe talks about export settings, and how with a little forward thinking, you will be able to create multiple export templates, so exporting your final product is as simple as clicking a little checkbox.
http://library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_8 In this lesson, Kevin P McAuliffe talks about organizing your editing interface by adjusting your Composer settings. These settings, if used and set correctly, will give you all the timecode information you need when editing, without having to searching through bins to find it.
http://library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_7 In this lesson, Kevin P McAuliffe picks up right where he left off in part 1, and shows you how to log clips for batch capturing, and then gets in and shows you the capture settings you’re going to want to know, to get your footage into Media Composer as quickly as possible. He
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_6 In this lesson, Kevin P McAuliffe continues his talk about settings, this time talking about the capture setting, and he gives a tour of the capture tool, and gives some tips on how to get yourself even more organized when you are editing.
http://library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_5 In part two at our look at Bins inside of Media Composer/Symphony, Kevin P McAuliffe gets more in-depth with organization, and shows you some great quick tips to not only better organize your projects, but also help speed up that organizational process to get you editing a lot quicker.
http://library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_4 In part one of this two part look at Bins, Kevin P McAuliffe talks about creating not only customized bin views, but also shows some great hidden gems to really organize your projects so all of your edit sessions go as smoothly as possible.
http://library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_3 In this lesson, Kevin P McAuliffe begins at the top of the Settings window by looking at the Audio and Audio Project settings, and how a commonly overlooked setting can really get you into trouble, if you don’t know what you’re looking for.
In this lesson, Kevin P McAuliffe introduces you to the Media Composer interface, talks about Bins and the important part they play in your workflow, and begins his talk about Settings, and how you will use them to not only help your workflow, but help you out of problems when you run into them.
In this tutorial, Kevin P McAuliffe gets you started in Avid’s Media Composer 6, and talks about some important concepts that you need to understand before you start editing. This tutorial series will teach you everything you need to know about not only Avid’s Media Composer, but Avid’s Symphony as well.
In this tutorial, Kevin P McAuliffe shows you how easy it is to edit multicam footage with no timecode reference in Avid’s Media Composer 6 and Symphony 6.
To finish off our introductory look at Avid’s Media Composer, Kevin P McAuliffe takes a look at outputting both to tape, and to a file. This way, whether you need to output your final show for a client, or get a file ready to work with in After Effects, you’re going to be covered!
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