library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_74 In this lesson, Kevin P McAuliffe answers another viewer e-mail from someone who’s having quality issues when importing into Media Composer. Kevin goes over some importing tips, and shows you how to make sure you’re monitoring the highest possible quality in the NLE application, and then he discusses a common exporting problem, and takes
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_36 OMF Export for Audio Post: In this lesson, Kevin P McAuliffe shows you how easy it is to set up a preset for exporting the audio in your sequence for audio post. He also shows you the ideal type of video file to export, so your audio engineer can check sync, and even shows
http://library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_35 In this lesson, Kevin P McAuliffe shows you a "hidden" gem inside of Media Composer and Symphony, and that is how to export a multichannel audio file. Most editors think that is is not possible in MC/Symphony, but Kevin shows you just how easy it is in a few short steps.
http://library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_34 HD to SD Centercut: In this lesson, Kevin P McAuliffe talks about the importance of setting your title safe markers correctly to properly downconvert HD footage and centercut it, so that the image fills an entire 4×3 frame.
ibrary.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_33 HD to SD Letterbox: In this lesson, Kevin P McAuliffe shows you why you don’t need any third party applications to create SD Letterboxed content from your HD footage. Not only does he show you how easy it is, but also shows you a great trick to get around titling issues when downconverting. Note
http://library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_9 In this lesson, Kevin P McAuliffe talks about export settings, and how with a little forward thinking, you will be able to create multiple export templates, so exporting your final product is as simple as clicking a little checkbox.
Works for all AVCHD cameras Make sure to download the AVCHD plugin from Avid’s website. It’s required for this workflow: avid.com/ama I’m using Symphony 6 here but the workflow is identical in Media Composer. We start with AMA native AVCHD playback, then cut offline DNxHD36 files and relink to the originals, and then wrap up
Works for all Canon DSLRs. I’m using Symphony 6 here but the workflow is identical in Media Composer. We start with AMA native H.264 playback, then cut offline DNxHD36 files and relink to the originals, and then wrap up with encoding for the web using Sorenson Squeeze 8.5 and x264. Follow me on twitter for
Exporting Media from Avid Media Composer 6 – Excerpt from Avid 6 Core Training
Media Composer 6 107: Exporting and Sharing by Jeff Greenberg Video 12 of 35 for Media Composer 6 107: Exporting and Sharing All the cuts have been made. Everything’s looking and sounding good. The client has granted approval. Now its time to get this final production out into the world! In this tutorial Jeff Greenberg
This video will show what settings you need to have to expoert HD material for uploading to Vimeo. Note: If your video is standard definition, set your data rate to 2000kbps and your display resolution to either 640×480 (4:3) or 640×360 (16:9). For more information and tutorials, please visit: vimeo.com/help/compression
Media Composer 5 introduced several improvements to audio (RTAS plug-ins, Stereo Audio Tracks, ability to view automation gain on individual tracks). At the time MC5 was introduced, Pro Tools couldn’t open RTAS plug-ins and stereo tracks from MC.With the intro of PT 9, not only can Pro Tools open RTAS plug-ins and Stereo Tracks, it
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