In this lesson, Kevin P McAuliffe takes a look at an advanced technique after receiving an e-mail from a viewer who was having problems roundtripping his sequence from Media Composer to Adobe’s After Effects.
In part 2 of our two part look at Export Settings, Kevin P McAuliffe talks how you can export your HD sequences as SD clips, this way avoiding using programs like Adobe’s Media Encoder or Sorenson Squeeze to do your downconversion, and then Kevin talks about the new 8.3.1 update to Media Composer, and how
In part 1 of our two part look at Export Settings, Kevin P McAuliffe talks about how important they are in getting your footage out of Media Composer, and how to set up a Same As Source export, as well as a custom HD export.
Short video on how to export to Pro Tools, import in Pro Tools, then export back to Media Composer
How to create titles in Photoshop, for use in Media Composer.
Tutorial on exporting from Media Composer, then importing into resolve. Then some simple grading examples, and export back to media composer.
Welcome to this first episode of our 5-part tutorial series ‘Get Started Fast with Media Composer for High-Res Workflows’ on Avid Blogs. In this lesson Kevin P McAuliffe will give you a general overview of setting up a larger than HD project, and I’ll discuss more of the basic concepts of Media Composer, with the
Presented by: Daniel Huber For all Media Composer users, learn how to overcome common color space challenges by examining RGB and 601/709 color mapping. Learn how to properly represent and maintain color values when importing, exporting, or linking to sources. And recognize the differences when media is displayed on source, record, and client monitors.
If you’re not getting what you need to succeed—or you’re a former Avid user who switched (we’d love to have you back)—join award-winning editor Kevin P McAuliffe to get started fast. http://www.avidblogs.com/fcp7fast/ In the second of our “Get Started Fast with Avid for Final Cut Pro 7” tutorials, Kevin P McAuliffe highlights key differences between
In the fifth and final of our “Get Started Fast with Avid Media Composer 7” tutorials, we wrap-up our introductory look at Avid editing. In this lesson, Kevin P McAuliffe demonstrates how to move your finished project from Media Composer. Whether you are destined for the web, creating a DVD or Blu-Ray, or outputting to
In this video, Jon Christenson will show you how to export an AAF file.
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_83 In this first of a multi-part tutorial series, Kevin P McAuliffe takes a look at setting up your Media Composer or Symphony timelines for creating SD DVD’s. He covers formatting issues you need to keep in mind, as well as the proper way to export your sequence in three important, but very different ways.
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_81 In this lesson, Kevin P McAuliffe answers a viewer’s e-mail about creating multichannel audio exports. Most people think that this is a hardware limitation for most PC’s and Mac’s, but Kevin quickly shows you that this is very easy to set up right from within your export settings, and once you have a preset,
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_80 In this lesson, Kevin P McAuliffe answers a viewer’s question about how to create client approval Quick Time files in MC/Symphony. To take things to the next level, Kevin also shows you how to create HD YouTube files ready to upload to show your work to the masses.
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_74 In this lesson, Kevin P McAuliffe answers another viewer e-mail from someone who’s having quality issues when importing into Media Composer. Kevin goes over some importing tips, and shows you how to make sure you’re monitoring the highest possible quality in the NLE application, and then he discusses a common exporting problem, and takes
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