As always, don’t forget to like, Subscribe and share this video across your social channels. In our last lesson we talked about Motion Effects, and I mentioned that to move on in our discussion, we needed to talk about Keyframes, so in this lesson, we’re going to dive head first into Keyframing, what purpose it
Discover how to create a blur shape and track it using Media Composer’s Tracking tool. ▶️ https://bit.ly/3gcLgPD
Discover how you can add and manage keyframes with Media Composer’s parameter graphs. ▶️ https://bit.ly/3gcLgPD
Learn how to use keyframes to animate an effect in Media Composer. ▶️ https://bit.ly/3gcLgPD
Explore how Media Composer’s advanced keyframing works in both the Effect Preview monitor and the Effect Editor. ▶️ https://bit.ly/3gcLgPD
Discover how to optimize a single-display workspace for working with effects in Media Composer. ▶️ https://bit.ly/3gcLgPD
Use Media Composer’s FrameFlex feature to create pan and zoom effects that simulate camera movement. ▶️ https://bit.ly/3gcLgPD
Discover what’s possible when you use Media Composer’s auto-nesting feature to add multiple effects in Media Composer. ▶️ https://bit.ly/3gcLgPD
LUTs (Lookup Tables) can be helpful and are sometimes necessary to convert Log footage into Rec 709 or other more dynamic color spaces. In this Avid Media Composer Tutorial I demonstrate how to apply LUTs to your source footage, bake it into your clips and ways to apply LUTs just within your timeline. Chapters: 0:09
Learn AVID faster so you have time to drink more beer! http://avidbeer.com My favorite beer this week is from https://www.greatsouthbaybrewery.com/ Send questions, comments, insults and beer recommendations to avidbeer@gmail.com #avid #mediacomposer #avidbeer
Learn AVID faster so you have time to drink morebeer! http://avidbeer.com
Learn AVID faster so you have time to drink morebeer! http://avidbeer.com
Learn AVID faster so you have time to drink morebeer! http://avidbeer.com
In this lesson, Kevin P McAuliffe talks about Source Settings. Understanding them is an exceptionally important step between linking to your footage, and transcoding it, which we’ll talk about in our next lesson. We’ll look at Color processing and Frameflex, as well as the ability to adjust RAW native parameters in the Source Settings window,
Learn AVID faster so you have time to drink more beer! http://avidbeer.com
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