The new Media Composer offers you several new features, including organization tools for logging footage, so you can find the right clips, mark sections of footage, and effortlessly use the perfect takes in your videos. https://www.avid.com/mediacomposer
Learn how to use subclips to optimize media for video editing in Avid Media Composer. Transcoding video to DNxHD and DNxHR requires more drive space but subclipping can save you both time and drive space. This video editing tutorial is hosted by Avid certified editor Benjamin Patch.
This 8-minute video shows an example of how to use the new features of Waveform Sync in the timeline, and the new Create Group From Sequence. In this video, I show how I can use these features to sync up footage from five consumer-grade cameras covering a Christmas concert to an audio track separately mixed
Tired of grouping clips by hand? Wish there was a better way to collapse all of your video tracks into one? Look no further! Avid Media Composer 2018.12 gives us the update we’ve been waiting for; Group Clipping straight from the sequence! Software used: Media Composer 2018.12 http://redarrowindustries.com/ https://www.facebook.com/RedArrowIndustries/ https://twitter.com/redarrowindust
A brief overview video of the NewTek NDI broadcast feature that was added to Media Composer in 18.7. It’s just about three and a half minutes, and shows where to get some free NDI tools, and how to turn it on an off, so you can begin to experiment with this new capability.
In this lesson, Kevin P McAuliffe continues our look at learning Media Composer | First by talking about working with Basic Transitions. We cover everything you need to know about the Quick Transition window, and then show you a great tip to add your own custom transitions to the same window, so you have them
Not many editors seem to know about top and tail editing. Boiled down, a top edit cuts out everything to the left of the play head*, and a tail edit cuts everything on the right (*up to the next edit point) and everything will shuffle down. This is often MUCH faster than using In and
Avid Media Composer works differently from Adobe Premiere, Hitfilm, Final Cut, and every other NLE. Once you understand the basic concept of Media Composer, you will understand it fully. The secret, the KEY, to understanding Media Composer is…… IT’S EFFECT BASED! That means if you want to transform a clip in Media Composer, YOU MUST
There is no razor tool in Media Composer! In order to cut/split a clip, you want to use ADD EDIT ? Fine tune your position with the arrow keys. For video editors coming from Adobe Premiere Pro, Final Cut, and other NLEs – many start looking for the razor tool to cut-up their clips and
Ever wish your source track automatically patched to the track you are working on? Watch this tutorial to see a quick way to auto-patch your source track to your active timeline track in Avid Media Composer! Software used: Media Composer 8.9.3 http://redarrowindustries.com/ https://www.facebook.com/RedArrowIndustries/
This tutorial will explain the function of the link selection tool and how it can possibly speed up your editing in Avid Media Composer! Software used: Media Composer 8.5.3 http://redarrowindustries.com/ https://www.facebook.com/RedArrowIndustries/
My team and I worked on a couple of features in 8.9.3, “dynamic shuttle”, which is a J/K/L replacement, and “pitch correction during shuttle”. This video describes both in some detail.(Sorry about the length, it’s almost ten minutes and wanders off for a while showing how “dynamic shuttle” can be used to improve the behavior
Believe it or not, the Mark IN & OUT button in Avid Media Composer doesn’t serve only one purpose. Check out this tutorial to find out its other uses! Software used: Media Composer 8.5.3 https://redarrowindustries.com/ https://www.facebook.com/RedArrowIndustries/ https://twitter.com/redarrowindust
In this video we’ll look at how to lock tracks in Avid Media Composer so no editing can take place on those tracks. Track Locks are helpful to maintain an edit, to “lock it in”. When you lock a track, no further editing can take place on that track (or tracks), you can not even
Avid Senior Solutions Specialist Corey Tedrow explains how to use the top and tail tools, extend edit to create an L-cut and replace edit. Watch more tutorial videos at http://www.avid.com/mc-tutorials
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