In this episode, we’ll continue matching one shot to another. We’ll do it manually, and we’ll use Avid’s curves. Here are direct links to the other tutorials in this series: Color Correction Basics Part1 Color Correction Basics Part2 Color Correction Basics Part3 Color Correction Basics Part4 Color Correction Basics Part5 Color Correction Basics Part6 Color
The final installment in my three part Cheesy Transitions series. As usual, everything is done right inside Media Composer. This is one very, very powerful application!
One of the most common tasks when doing color correction is matching two shots. So this week and next, we’ll do exactly that. As always, I like working with the curves in Avid, but you should be able to use the skills learned in this tutorial when using the Color Wheels as well. Sorry for
In last week’s episode, we chnaged the color balance of a shot with curves. This week we’ll do the same thing with the color wheels. http://avidscreencast.com/asc25 Here are direct links to the other tutorials in this series: Color Correction Basics Part1 Color Correction Basics Part2 Color Correction Basics Part3 Color Correction Basics Part4 Color Correction
NOTE: I had to trim this video down because of Youtube length limitations. See the full episode at http://avidscreencast.com/asc24 In this episode, we’ll severely change the white balance of an image to correct an underexposed, wrongly balanced clip and make it look decent. We’ll use the curves in Avid’s Color Correction to do it. Here
Before we start color correcting a shot, a few words about scopes. http://avidscreencast.com/asc22 Here are direct links to the other tutorials in this series: Color Correction Basics Part1 Color Correction Basics Part2 Color Correction Basics Part3 Color Correction Basics Part4 Color Correction Basics Part5 Color Correction Basics Part6 Color Correction Basics Part7
Yet another transition I recently saw that is really easy to build. Once again, no third-party applications. Everything is done right inside the Avid
In this episode, we take the Animatte a couple of steps further and check out an effect used for introducing talent in a TV show
In this episode, we’ll continue our deep-dive into one of the most powerful and most-used effects in Avid: The Timewarp. We’ll cover the following basics in this episode: manipulating the Position Graph, rebuilding presets on your own, Default Render Settings. http://avidscreencast.com/asc21 Go to part 1 of the Timewarp tutorial
NOTE: I had to trim this video down because of Youtube length limitations. See the full episode at http://avidscreencast.com/asc20 In this episode, we’ll continue our deep-dive into one of the most powerful and most-used effects in Avid: The Timewarp. We’ll cover the following basics in this episode: manipulating the Position Graph, rebuilding presets on your
Create a transition that looks like a broken projector image flicker. http://www.avidscreencast.com/asc18
Create a moving filmstrip effect for Avid Media Composer. This is a great lesson for using keyframes and compositing techniques. You can view the entire transcript of this Media Composer video tutorial by visiting: http://www.geniusdv.com/news_and_tutorials/2010/02/moving_filmstrip_effect_fo…
Use Avid Media Composer’s Marquee Title tool to create a sequence of 3D characters that fade up one at a time. You can view more information related to this Avid Media Composer’s Marquee tutorial by visiting:
So you have a bunch of subtitles or lower thirds to do. They all look the same, except for the contents. You’re not seriously considering doing them all by hand in Title Tool, are you? Enter Marquee’s Autotitler, which is here to make your life easy. Honestly, if you didn’t know about this one, you
Create a secondary color correction in Avid Media Composer. http://www.avidscreencast.com/asc16
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