This week, another viewer suggestion: We’ll create the high-contrast, saturated look that is common to many sports trailers. We’ll also play around with BCC’s Glow and add some flicker to the shots.
In this last episode in the audio series, I’ll show you how to apply audio effects in Media Composer and a couple of neat real-world tips (like limiting you master output) that will hopefully help you out one day or another. This is a seven part series with Audio Settings, here are direct links
This week, we’ll look into Avid’s EQ Tool. It’s pretty basic (look for more powerful EQs in the AudioSuite), so’ll we’ll cover what it can and can’t do. Also: Build your own EQ preset into the Presets of the EQ’s fast menu. This is a seven part series with Audio Settings, here are direct
Ten random Avid DS tips from Igor Ridanovic. Hopefully one or two of these may come in handy some day.
Learn to manipulate audio with keyframes. This is a seven part series with Audio Settings, here are direct links to the other parts: Audio Basics I – Settings, Settings, Settings Audio Basics II – Stereo Tracks Audio Basics III – Very Basic Editing Audio Basics IV – Audio Mixer Audio Basics V – Audio
An in-depth look at Media Composer’s audio mixer. This is a seven part series with Audio Settings, here are direct links to the other parts: Audio Basics I – Settings, Settings, Settings Audio Basics II – Stereo Tracks Audio Basics III – Very Basic Editing Audio Basics IV – Audio Mixer Audio Basics V
Learn how to edit directly from a bin window within Avid Media Composer without having to load the content into a source window.
Learn how to create a slideshow in Avid Media Composer by marking in-out points for all your clips at the same time. You’ll learn how to add transitions to all your slides with one click of the mouse.
This week, we’ll make some very simple audio edits, create transitions, check out waveforms and get rid of those horrid pops that are sometimes created by audio edits. This is actually the first part of a show that was to include the audio mixer as well, but the episode just turned out to be way
Boris Continuum Complete AVX for Avid DS brings nearly 200 filters to Avid DS Version 10.2.1 and higher. BCC AVX is bundled with all Avid Media Composer and Symphony systems. With a BCC AVX for DS license, Avid facilities are able to conform sequences with AVX 2.0-based BCC effects for finishing in Avid DS.
Learn how to create a speed ramp effect within Avid Media Composer. You’ll also learn how to slow down the audio using Media Composer’s set of audiosuite tools. You can also view a text version of this tutorial using the ‘time compression expansion plugin’ by visiting: http://www.geniusdv.com/news_and_tutorials/2010/10/media_composer_speed_ramp_…
Create a Secondary Color Correction with a Garbage Matte in Media Composer. It plays in real-time! http://www.avidscreencast.com/asc40
Part 2 of “Premultiplication in Avid DS” teaches you the general basics of premultiplication. These skills come in handy when you need to deliver graphics elements created in DS to another system. To download Avid DS presets used in this and other tutorials visit hdhead.com Here is a link to part 1
Learn how to use Avid FX (think Boris FX) with Avid Media Composer to create giant crawling text with video inside the letters. You can view a text based version of this tutorial by visiting:
The way Media Composer processes effects has some weird side-effects: Sometimes an effect applied to an upper video track also affects the video tracks below — whether you intended that or not. So this week we’ll take control over that issue by learning how to use nesting to your advantage. http://www.avidscreencast.com/asc39
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