library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_67 In this lesson, Kevin P McAuliffe shows you how to re-create the commercial bumper from The Bachelor, right from within the MC/Symphony timeline. Seeing how easy it is to recreate this look will have you scoping out other “looks” from shows, and finding unique ways to include them in your upcoming projects.
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_66 In this lesson, Kevin P McAuliffe shows you how to take an fire element with no matte, and not only create a matte from nothing, but also how to take that matte, and use it to reveal text for a lower third animation. When your client sees that this is something you can do
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_65 In this lesson, Kevin P McAuliffe shows you a technique that he uses in corporate video work, and that is how to not only slow your footage down, but create highlights that you can use to focus on certain areas of a shot. With a little forward thought, and the Marquee Title Tool, this
http://library.creativecow.net/mcauli… In this lesson, Kevin P McAuliffe expands on lesson one by showing you how to create variable speed motion effects inside your MC/Symphony timeline. Most people think that a technique like this requires either a third-party plug-in, or a compositing application, Kevin shows you how simple it is to create some very cool slo-mo’s.
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_63 In this lesson, Kevin P McAuliffe shows you how to create some basic Motion Effects, i.e. – Slow Mo’s, and shows you a great technique that he uses all the time to create a dynamic “isolated” slo-mo effect.
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_62 In this lesson, Kevin P McAuliffe continues his look at basic color correction by talking about what to do in situations where the color of an image has been altered (incorrect White Balance, for example) from what would be considered “normal”. He gives you a basic overview of the color wheels and how simple
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_61 In this lesson, Kevin P McAuliffe shows you the basics of color correction by simply adjusting the Setup, Gamma and Gain values to take a shot that was totally washed out, and give it the punch to really make it stand out above all others. The best part about it, is the technique is
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_60 In this lesson, Kevin P McAuliffe addresses a common mistake that editors make when doing a simple fade out, shows you how simple it is to fix, and then goes over other “simple fade in/out editorial mistakes” that are easily correctable. This lesson is crucial, as these simple techniques will show your clients your
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_59 In this lesson, Kevin P McAuliffe shows you a fantastic technique on how to revert your 1080i footage back to 23.98 fps for compositing in After Effects (assuming it was originally shot 23.98), and then how to render it out of AE to back to 1080i. No transcoding of footage is necessary, just a
This previously missing gem with features editor Eddie Hamilton was recorded live on our stage at NAB 2012. Eddie shares his passion for the art of editing and gives a behind-the-monitor look at the techniques he used on the films X-Men: First Class and Kick-Ass.
http://library.creativecow.net/mcauli… In this lesson, Kevin P McAuliffe gives you a lesson "right out of the edit room" with a breakdown of how he created a title treatment for the French Canadian "A Good Day to Die Hard" commercials. Once you see how easy it is to create inside your NLE, you’ll wonder why you don’t
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_57 In this last part of our look at Split Screens inside of Media Composer and Symphony, Kevin P McAuliffe gives you an introductory look at Matte Keying, and shows you why working with them has a huge, hidden advantage while working inside of your MC/Symphony timeline.
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_56 In the third part at our look at Split Screens inside of MC and Symphony, Kevin P McAuliffe shows you how easy it is to take the technique from the previous tutorial, and add realistic motion to the footage inside of the split screen elements.
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_55 In this second lesson in our look at Split Screens inside of Avid’s Media Composer, we look at how to create our own, right from within the MC/Symphony timeline using the standard title tool, and the 3D Warp effect.
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_54 In this lesson, Kevin P McAuliffe answers a viewers question about a common technique that you see in show’s like X Factor, and that is “How do you build split screen elements inside of Media Composer?” Well this first of four part tutorial shows you how to take a aplit screen element, possibly created
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