http://library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_5 In part two at our look at Bins inside of Media Composer/Symphony, Kevin P McAuliffe gets more in-depth with organization, and shows you some great quick tips to not only better organize your projects, but also help speed up that organizational process to get you editing a lot quicker.
http://library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_4 In part one of this two part look at Bins, Kevin P McAuliffe talks about creating not only customized bin views, but also shows some great hidden gems to really organize your projects so all of your edit sessions go as smoothly as possible.
http://library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_3 In this lesson, Kevin P McAuliffe begins at the top of the Settings window by looking at the Audio and Audio Project settings, and how a commonly overlooked setting can really get you into trouble, if you don’t know what you’re looking for.
In this lesson, Kevin P McAuliffe introduces you to the Media Composer interface, talks about Bins and the important part they play in your workflow, and begins his talk about Settings, and how you will use them to not only help your workflow, but help you out of problems when you run into them.
In this tutorial, Kevin P McAuliffe gets you started in Avid’s Media Composer 6, and talks about some important concepts that you need to understand before you start editing. This tutorial series will teach you everything you need to know about not only Avid’s Media Composer, but Avid’s Symphony as well.
This tutorial shows how shows what to do if your footage is interlaced and your timeline is progressive and vice versa in Avid Media Composer.
This tutorial shows how how to do a Frame rate conversion if the Input and the Output are both Interlaced or both Progressive and also how to do a Frame Rate Conversion from Progressive Footage to Interlaced Footage in Avid Media Composer.
This tutorial shows how to do a simple slow-down and speed up using Twixtor in Avid Media Composer.
In this tutorial, Kevin P McAuliffe shows you how easy it is to edit multicam footage with no timecode reference in Avid’s Media Composer 6 and Symphony 6.
To finish off our introductory look at Avid’s Media Composer, Kevin P McAuliffe takes a look at outputting both to tape, and to a file. This way, whether you need to output your final show for a client, or get a file ready to work with in After Effects, you’re going to be covered!
In this lesson, Kevin P McAuliffe shows you Media Composer’s "Go To" effect, the 3D Warp, and how easy it is to create basic titles for your sequence. Then, to wrap it all up, he shows a great and often overlooked feature of the basic title tool, that will have you staying in your NLE
In this lesson, Kevin P McAuliffe shows you the basics of editing, and throws in a few bells and whistles to help speed up your overall workflow.
The focal point of your Media Composer project is your bins, and in this tutorial, Kevin P McAuliffe talks about bins, setting up different bin views, and the different layouts you can use to organize your footage.
Every project starts with acquiring footage and in this tutorial, Kevin P McAuliffe looks at not only digitizing footage, but importing and the new Avid “AMA Link to” feature as well.
If you aren’t happy with the direction that Apple has decided to go, and want to switch NLE’s, this in-depth look at Avid’s Media Composer is for you. Looking at FCP7 and Media Composer side by side, in lesson one, we start by looking at the differences between how projects are handled, and how to
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