Subscribe to Buzz: http://www.avid.com/buzz?cmpid=AV-SM-MC5-6 Avid’s Matt Feury talks to NLE guru and seasoned pro Steve Cohen about Media Composer 5 and where Avid is today.
Hear what professional editors and beta testers have to say about working with Media Composer 5—from the new Smart Tool and direct RED and QuickTime support, to cool audio tools and Matrox monitoring.
“If you’re a young editor, and you want to have an edge…you should know what’s new in Media Composer.” -Dan Lebental, editor, ‘Iron Man 2’
Avid Exclusive: Meagan Keane of Avid Artist Relations interviews Avatar producer Jon Landau. Landau discusses the creative process behind the highest grossing film in history and the numerous ways Avid film and video editing software workflow facilitated 3D production.
Christopher Nelson, ACE Editor of LOST and Mad Men, talks with Meagan Keane about what students need to learn in school to be successful in Hollywood.
From Pro Tools® to Media Composer® we create audio and video technology that helps people make the most listened to, most watched and most loved media in the world.
Around the world, in 1,000 post and broadcast facilities, journalists, systems administrators, producers, and editors, are breaking down workflow barriers and getting down to business with Avid Interplay®.
Here’s an exclusive behind-the-scenes look at how Pow! Pix, a New York-based post production facility, created various features, promos and teaser segments from the figure skating and short-track speed skating venue at the Vancouver Winter Games using an Avid workflow.
Telling a riveting, end-of-the-world story can be challenging when theres over 1,400 visual effects wreaking apocalyptic chaos on screen. But for the editing team behind 2012, Media Composer® helped them pre-visualize sequences and collaborate across two countries, from the productions beginning to end, to craft the intricate storyline.
The editors behind The Ellen DeGeneres Show thrive on laughs and collaboration to cut each show, but that almost came to a halt when they transitioned to HD and changed editing systems. Hear how switching back to Media Composer put an end to their “constant chasing of problems.”
When you need to cut together multiple video clips from a variety of sources in mixed resolutions, nothing gives you the speed or superb image quality of the new Mix and Match features in Avid Media Composer 4. Forget hardware transcoding; with Media Composer 4 software, you can freely mix and match HD and SD
Get more features, more formats, more flexibility, and more fun! Media Composer® 4 is available now on Avid.com and at resellers near you. Mix and match SD and HD formats, frame rates, and resolutions in the same timeline Access and edit XDCAM, P2, and GFCAM media directly, without transcoding or copying files Acquire, edit, and
Get your free trial copy of Avid® Media Composer® Tthe same video editing system used by the pros. “I don’t know anyone doing $200 million dollar movies who is not cutting on a Media Composer system. At this level, where there’s so much at stake, everyone uses it.” – Roger Barton, Editor, Transformers: Revenge of the
You want to do your best work while staying on time and on budget. From ingest to playout, Avid HD News solutions deliver workflow speed, flexibility, and creative power. So you can be first with the most compelling stories and a better bottom line.
Avid creates the digital audio and video technology used to make the most listened to, most watched and most loved media in the world. Some of Avid¹s most influential and pioneering solutions include Media Composer®, Pro Tools®, Avid Unity™, Interplay® and Sibelius®. Learn more: http://www.avid.com
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