In this lesson, Kevin P McAuliffe talks about Source Settings. Understanding them is an exceptionally important step between linking to your footage, and transcoding it, which we’ll talk about in our next lesson. We’ll look at Color processing and Frameflex, as well as the ability to adjust RAW native parameters in the Source Settings window,
Watch as Mike takes you through the steps on How To Create A Aspect Ratio In Avid Media Composer Project. Mike is one of our Post Production Training Professionals with over 20 years experience in working in the Post Production industry, from the BBC through to a freelancer career editing in numerous Soho Post houses.
Visit https://www.assistbootcamp.com to check out our on demand webinars! 00:09:26 Introduction00:13:18 Overview Image 00:15:19 Resolution00:32:07 Aspect Ratio 00:47:23 Interlacing00:58:50 Frame Rate01:21:30 Timecode Compression01:30:22 Codecs 01:59:20 Bit Rate Color02:13:11 Color Space02:17:45 Color Bit Depth02:23:08 HDR02:49:00 Camera RAW02:53:07 Chroma Sampling 03:01:05 Luma Compression File Level03:09:04 Video Containers03:13:20 Metadata 03:17:01 Image Sequences 03:18:18 Summary
n this lesson, designed to compliment an article written over at ProVideo Coalition, Kevin P McAuliffe talks about how to set up your timeline for exporting for DCP creation. We cover how to convert your timelime from HD to DCP Flat (1.85:1) aspect, how to apply the XYZ LUT, and where to find it, and
This tutorial demonstrates how to mix 16×9 and 4×3 aspect ratios within Avid Media Composer 5.0, newer versions have other features simplifying this workflow.
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