Works for all Canon DSLRs. I’m using Symphony 6 here but the workflow is identical in Media Composer. We start with AMA native H.264 playback, then cut offline DNxHD36 files and relink to the originals, and then wrap up with encoding for the web using Sorenson Squeeze 8.5 and x264. Follow me on twitter for
ARRI’s line of ALEXA cameras has become popular among filmmakers, as the cameras can digitally capture the cinematic look of film. And now these cameras are able to record to high-quality, SMPTE-standard Avid DNxHD format, so you can edit the footage natively in Media Composer and Symphony—without transcoding or importing. In this video, ARRI’s JD
A very basic run through of Canon C300 AMA linking into Avid Media Composer 6.0.1
A very basic run through of Canon 5D Mk3 AMA linking into Avid Media Composer 6.0.1
This is a video showing how to open and edit ProRes files in AVID Media Composer 5.5 using Avid’s AMA feature. It allows you to edit very quickly without having to transcode. Video created by Luis Sierra of Chesapeake Systems
Have tons of media? Need to hit tight deadlines and win more work? See how one indie studio switched to Media Composer® and did just that. Editors tell us time and again that collaboration is the key to success in today’s post environment. More professionals build their businesses, and they’re reputations, with Avid®.
Offline Online Sony XDCAM HD Proxy Workflow. If you have questions about this workflow please post them here: http://community.avid.com/forums/t/94734.aspx
Since being introduced in 2009, the AMA architecture has been expanded in Media Composer© 5.0 to include even more file-based formats. Now in MC5 users can directly link to and have immediate access to formats such as RED©, QuickTime© with H.264, QuickTime with ProRes, Canon’s new XF plug-in, the P2 DVCPRO© format, XDCAM HD, as
NOTE: I had to trim this video down severely because of Youtube length limitations. See the full episode at http://avidscreencast.com/asc36 With Media Composer 5, you can access Quicktime and R3D files natively using AMA (provided you have the horsepower). In this episode, I’ll show you how to link to AMA volumes, change the R3D source
Avid’s Matt Feury interviews Editor Jason Stewart (Minute to Win It, World’s Greatest Dad) about the latest Media Composer release (v5).
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