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In this lesson, Kevin P McAuliffe talks about a topic that has been hot on the Facebook Media Composer and Premiere Pro pages, and that is sending timelines from one application to another, so in this lesson, Kevin breaks down everything you need to know to make the trip as smooth as possible. Channel: www.youtube.com/letseditMC_avid
In our fourth lesson, we’re talking about effects and titling. Effects work in Media Composer is a little bit different than in most other NLEs including Premiere and even Final Cut Pro. We’re accustomed to having certain parameters like Scale, Rotation and Opacity “attached” to our clips. It’s not like that in Media Composer. We
Our third lesson is all about Media Management. Now that you’ve acquired your media, you need to figure out what Media Composer has exactly done with it, so whether you need to delete media, or archive a project, you’ll always have control of your media, right at your fingertips. Watch all episodes on: http://www.avidblogs.com/get-started-…
In our second lesson, we’re talking about acquiring media. Whether you’re linking to, importing, consolidating, transcoding or capturing. Media Composer editors, much like Premiere editors, can simply link to their media, and start editing, but the real power of Media Composer comes in how it works with Avid’s proprietary codec DNxHD and DNxHR, to make
Welcome to our newest tutorial series “Get Started Fast with Media Composer for Adobe Editors“. The goal of this series is to show you fundamental differences between your Adobe editing application, and Avid Media Composer, so you can get up to speed as quickly as possible. Watch all episodes on: http://www.avidblogs.com/get-started-…
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