In this lesson, Kevin P McAuliffe answers a viewers question about how to Offline 4K Red footage in HD, and then relink to your original RAW footage to finish and export your final master. To make matters a little more difficult, we’re going to use clips with different frame rates, but with the newest version
In this lesson, Kevin P McAuliffe continues the discussion on 8K/4K/2K workflows by discussing Relinking, and how you’ll use it, much more successfully than in the past, to link back to your larger than HD footage for your online, and then he’ll move onto talking about working with clips with different frame rates in one
I this lesson, Kevin P McAuliffe goes in-depth into Media Composer’s 2K/4K/8K and higher offline/online workflows. If you are working in Media Composer in a larger than HD project, and want to do an offline first, this tutorial is an absolute must. Learn how to set your projects up correctly from the beginning, so you
In this lesson, Kevin P McAuliffe finishes his in-depth look at Transcoding by talking about working with larger than HD material. There are so many factors to keep in mind such as Source Settings, Proxy Timelines and Timeline Quality. This lesson will make sure you’re transcoding your larger than HD footage correctly every time!
In this Media Composer 101 tutorial, Kevin P McAuliffe finishes up his look at creating screening DVD’s from HD and larger than HD formats. He takes a look at four different DVD burning applications, one of which I’m sure you probably have on your system as we speak!
In this Media Composer 101 tutorial, Kevin P McAuliffe continues his lesson on how to create SD screening DVD’s from HD, 2K, 4K and UHD projects. He talks about three programs specifically, Adobe’s Media Encoder, Sorenson Squeeze and Apple’s Compressor, and how to make sure that your processed clips are ready for your DVD creation
In this Media Composer 101 tutorial, Kevin P McAuliffe will show you how to create SD screening DVD’s from HD, 2K, 4K and UHD projects. If you don’t think through what you’re doing, you could run into trouble quicker than you think.
In this lesson, Kevin P McAuliffe shows you the ins and outs of doing a 4K offline and online in Media Composer v8.3. He shows you some new bells and whistles you’ll need to keep in mind, and he also shows you why working with RED footage will give you an advantage that you never
In this lesson, Kevin P McAuliffe gives you an overview of the process of working with 4K footage in your HD timelines. He covers transcoding, a basic edit, and then talks about how easy it is to relink to your 4K footage, just in case your client decides that they want a different look from
Avid’s Michael Krulik details updates included in the latest Media Composer 8.5, and in particular related to 4K workflows. Presented as part of the Digital Cinema Society 2015 Post event, “4 Ways to a 4K Finish.” (Note: This video was previously embargoed pending the release of Media Composer 8.5)
Welcome to the fifth episode of our 5-part tutorial series ‘Get Started Fast with Media Composer for High-Res Workflows’ on Avid Blogs. In this final lesson Kevin P McAuliffe shows us how to export larger than HD media and create high-res masters from Media Composer, but also focus on Resolve roundtripping, as well as exporting
Welcome to the fourth episode of our 5-part tutorial series ‘Get Started Fast with Media Composer for High-Res Workflows’ on Avid Blogs. Using an Instagram project as an example, in this lesson I will show you how to set up and work with Custom Frame Sizes; from adjusting your footage and clips with FrameFlex to
Welcome to the third episode of our 5-part tutorial series ‘Get Started Fast with Media Composer for High-Res Workflows’ on Avid Blogs. In this video, I will focus on editing in High Res projects specifically; starting with the concept of Color Encoding and FrameFlex adjustments, explaining how to use the Proxy Timeline, as well as
Welcome to the second episode of our 5-part tutorial series ‘Get Started Fast with Media Composer for High-Res Workflows’ on Avid Blogs. This lesson focuses on the core concept of linking and transcoding, and everything an editor or assistant editor needs to know to make sure their media appears properly, and in the right codec
Welcome to this first episode of our 5-part tutorial series ‘Get Started Fast with Media Composer for High-Res Workflows’ on Avid Blogs. In this lesson Kevin P McAuliffe will give you a general overview of setting up a larger than HD project, and I’ll discuss more of the basic concepts of Media Composer, with the
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