Love it or hate it, Avid Media Composer is the dominant editing platform for film and television. It’s used in edit suites from New Zealand, to the UK, to Germany and the USA (I’ve worked in 3 of those, guess which!). Yet despite it being so widely used there are a number of REALLY amazing
Hey Guys, so since easily the most popular video so far was the first one going through some great features that may not be well-known in media composer, I decided to go for round 2! I’ve gathered a further 9 very useful features that some other Editors and Assistants have told me they didn’t previously
This is a video highlighting and demonstrating my top 14 best features to have debuted since Avid changed the Media Composer UI (and code/engine/overhaul) back in 2019 with the release of 2019.6 up to current version at time of recording 2022.4 Thanks Everyone for watching!! Got more content coming soon (working on a long-form series
While it has been three years now, there are still many who have yet to make the jump from the old Avid Media Composer UI (2018 versions and earlier) to the “new” UI (2019.6 and later) and for perfectly valid reasons. There’s always issues with being an early adopter. Though now many post production facilities
The latest release of Avid Media Composer includes UI enhancements with the Command Palette Quick Find feature and Reverse Match Frame from the timeline context menu, continued improvements with the dashboard, alignments tools, and performance with Avid Titler +, added functionality with NDI output and the addition of SRT, or Secure Reliable Transport, to stream
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