In this lesson, Kevin P McAuliffe starts his look at the new release of Media Composer 2019.6 by talking about your Project Window (or lack
In this lesson, Kevin P McAuliffe continues his look at the new release of Media Composer 2019.6 by talking about the new Bins. With the
In this lesson, Kevin P McAuliffe finishes his look at the new release of Media Composer 2019.6 by talking about the new Inspector Tool, as
This is a clip from Michael Krulik’s Media Composer 2019 presentation at Key Code Media’s Avid Media Composer Post Production event. To watch the full
This is a clip from Michael Krulik’s Media Composer 2019 presentation at Key Code Media’s Avid Media Composer Post Production event. To watch the full
This is a clip from Michael Krulik’s Media Composer 2019 presentation at Key Code Media’s Avid Media Composer Post Production event. To watch the full
This is a clip from Michael Krulik’s Media Composer 2019 presentation at Key Code Media’s Avid Media Composer Post Production event. To watch the full
This is a clip from Michael Krulik’s Media Composer 2019 presentation at Key Code Media’s Avid Media Composer Post Production event. To watch the full
This is a clip from Michael Krulik’s Media Composer 2019 presentation at Key Code Media’s Avid Media Composer Post Production event. To watch the full
This is a clip from Michael Krulik’s Media Composer 2019 presentation at Key Code Media’s Avid Media Composer Post Production event. To watch the full
This is a clip from Michael Krulik’s Media Composer 2019 presentation at Key Code Media’s Avid Media Composer Post Production event. To watch the full
This is a clip from Michael Krulik’s Media Composer 2019 presentation at Key Code Media’s Avid Media Composer Post Production event. To watch the full
Learn how to use subclips to optimize media for video editing in Avid Media Composer. Transcoding video to DNxHD and DNxHR requires more drive space
Michael Krulik walks you through the new Media Composer 2019, which includes a new, more intuitive user interface, an updated media engine, and custom workflow
The process of bringing video, audio, graphics and other media into any video editing software is called ingest. In this multi-part tutorial, Benjamin Patch walks
I’ve had the worst time trying to make a tutorial tonight. This was my third attempt, and halfway through the tutorial, my computer lost power.
Benjamin Patch walks you through the process of creating and organizing a project in Avid Media Composer – the most professional video editing application available
In this lesson, Kevin P McAuliffe answers a viewer’s question about “rewinding” footage in your Media Composer timeline, and takes it a step further to
Step 7: Syncing Audio and video in Avid Media Composer Learn how to create, modify and manage a sync map sequence using timecode, then sync
Step 6: Importing and Organizing Audio Files in Avid Media Composer Learn how to import audio files into Avid, assign and manage clip metadata in
Step 5: Organizing video dailies in Avid Media Composer Learn how to manage metadata on video files in Avid Media composer, including copying column data
Step 4: Importing ALE files to Avid Media Composer and relinking master clips to MXF media Learn how to import ALE files into Avid, view
Step 3: Exporting media and metadata from Resolve for Avid Media Composer Learn how to render Avid MXF files from Resolve, and export ALE files
Step 2: Creating and managing export timelines in Resolve Learn how to create timelines in Resolve, and add data burn-in in preparation for export to
Step 1: Importing and organizing footage in Resolve Learn how to set up a Resolve project, import production camera files, and organize metadata.
This 8-minute video shows an example of how to use the new features of Waveform Sync in the timeline, and the new Create Group From
Prepping your media 0:09:17 Grouping footage in Avid0:14:43 Timecode0:18:57 Multi-Groups0:21:17 Stacking0:35:51 Media Composer 2018.121:13:39 Creating a day stack1:01:40 Syncing multiple cameras and external audio1:58:52 Creating
This is a very good video going through most you need to know about Assistant Editing for Reality Television Video is almost 5 hours long,
In this lesson, Kevin P McAuliffe talks about the newest updates to Boris Continuum Complete 2019’s Title Studio. This first, in a multi-part tutorial series,
Tired of grouping clips by hand? Wish there was a better way to collapse all of your video tracks into one? Look no further! Avid
Wish there was a better way to sync your audio to your video files? With the newest update from Avid Media Composer we get just
Tired of using boring, simple titles? In this tutorial, I’ll explain how you can use some of the most basic elements in Avid Media Composer
New! Continuum 11 for Avid is Now Available Continuum 11 delivers major new tools to Avid editors! New! Primatte Studio: Academy Award-nominated chroma key tech
This course goes into detail about IO, Performance, drive speed, USB, Thunderbolt, Network, and things to consider about performance and bandwidth.
The first video in a six-part series featuring colorist and finishing editor, Mike Nuget.
This video explains locked and unlocked tracks in Avid Media Composer. It is a companion tutorial for Lesson 4 of the Mastering Avid Media Composer’s
A brief overview video of the NewTek NDI broadcast feature that was added to Media Composer in 18.7. It’s just about three and a half
For more from Boris FX, follow us: Facebook: https://www.facebook.com/borisfx Twitter: https://twitter.com/borisfx BorisFX: https://borisfx.com/ Sapphire: https://borisfx.com/products/sapphire/ Continuum: https://borisfx.com/products/continuum/ Mocha: https://borisfx.com/products/mocha/
See how you can use the Continuum Pan and Zoom filter inside Avid Media Composer to: -Crop and reframe hi-res images -Animate pan and zoom
Everything you need to make tutorials, FOR FREE! Free screen recorder, free ASIO audio recorder, free video editor! This video focuses on recording audio
Ignite Express is FREE video effects package that will work with Media Composer, Premiere Pro, Final Cut, and other NLE’s. You will get blurs, color
In this lesson, Kevin P McAuliffe discusses the newest release of Media Composer, 2018.7, and with it comes one of the first big promised features
Who needs plug-ins when you have the paint effect? This tutorial will explain how you can re-create a glitch effect to transition from one shot
The BCC Broadcast Safe is the best way to ensure that all of your Avid Media Composer projects are color and luma safe for delivery
If you use the Avid Application Manager (AAM) to download or update Pro Tools, Media Composer, or AAX plug-ins, it’s essential to know where those
Not many editors seem to know about top and tail editing. Boiled down, a top edit cuts out everything to the left of the play
Media Composer will let you customize the interface with different colors for many things. One of those is the color of your bins where your
This shortcut is not fancy, it doesn’t make your clips look better, but it can potentially save you a ton of time and work. Ctrl
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