One of the most common Media Composer workflows is sending your Media Composer timeline, specifically the audio, to ProTools to have an audio engineer give it the much needed mix it needs, so your final product can be sent to stations, theatres, or wherever else it might be going. With that said, there are some tips and tricks you’ll want to know, and one big decision that needs to be considered, before you send out your timelines. In this tutorial, Kevin P McAuliffe goes over everything you need to know, to make your Audio engineer nice and happy!
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Twitter: @kpmcauliffe
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Sound effects for this lesson courtesy of Sound Bible. Wind Sound recorded by Mark DiAngelo Hawk Screech Valley Sound recorded by Mike Koenig
