Welcome to the third episode of our 5-part tutorial series ‘Get Started Fast with Media Composer for High-Res Workflows’ on Avid Blogs. In this video, I will focus on editing in High Res projects specifically; starting with the concept of Color Encoding and FrameFlex adjustments, explaining how to use the Proxy Timeline, as well as looking at stylistic adjustments like LUTs. Finally, I will show you three handy new features in Media Composer.
02:10 Color encoding inside the Source Settings
03:26 Working with FrameFlex
06:25 The Proxy Timeline
10:47 Color Lookup Tables (LUTs)
15:10 Mask Margins, Display Color Space, and Color Info Tool
About Avid
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