Media Composer
Wind Blur effect for Avid Media Composer
Learn how to create a customized wind blur effect using Avid Media Composer’s paint functionality
2012-05-20
Category: Symphony
Media Composer
Webinar Replay: Light it up! Enhance your Avid Projects with Boris Continuum Complete
On May 17, 2012, Steve Holyhead demonstrated how to create stunning light effects with Boris Continuum Complete 8 AVX. Attendees learned how to create cinematic looks, stylish broadcast design elements, and beautiful transitions with BCC Lens Flare 3D; simulate production lights, projectors, or stage lighting with BCC Stage Light; create the soft feel of exposed
2012-05-18
Media Composer
Avid Media Composer / Symphony 6 R3D Complete Workflow Guide
I’m using Symphony 6 here but the workflow is identical in Media Composer. Start in Redcinex pro for a one light of the R3ds. Then we go to Avid for AMA native R3D playback, then cut offline DNxHD36 files and relink to the originals, and then wrap up with mastering at 1080 and grading DNxHD444
2012-05-18
Media Composer
Avid Media Composer/Symphony 6 Sony NEX FS100 Complete Workflow 11min Guide
Works for all AVCHD cameras Make sure to download the AVCHD plugin from Avid’s website. It’s required for this workflow: avid.com/ama I’m using Symphony 6 here but the workflow is identical in Media Composer. We start with AMA native AVCHD playback, then cut offline DNxHD36 files and relink to the originals, and then wrap up
2012-05-17
Media Composer
Avid Media Composer / Symphony 6 Canon DSLR Complete Workflow Guide
Works for all Canon DSLRs. I’m using Symphony 6 here but the workflow is identical in Media Composer. We start with AMA native H.264 playback, then cut offline DNxHD36 files and relink to the originals, and then wrap up with encoding for the web using Sorenson Squeeze 8.5 and x264. Follow me on twitter for
2012-05-16
Media Composer
ARRI ALEXA: DNxHD File Support for Media Composer®
ARRI’s line of ALEXA cameras has become popular among filmmakers, as the cameras can digitally capture the cinematic look of film. And now these cameras are able to record to high-quality, SMPTE-standard Avid DNxHD format, so you can edit the footage natively in Media Composer and Symphony—without transcoding or importing. In this video, ARRI’s JD
2012-05-10
Media Composer
Avid Media Composer 6 – Title Tool
Working with Avid Media Composer 6 Title Tool – Excerpt from Avid 6 Core Training
2012-05-08
Media Composer
Avid Media Composer 6 – Exporting Media
Exporting Media from Avid Media Composer 6 – Excerpt from Avid 6 Core Training
2012-05-08
Media Composer
Avid Media Composer 6 – Trimming
Working with Avid’s Trim Tools – Excerpt from Avid 6 Core Training
2012-05-08
Media Composer
Avid Media Composer 6 – Transitions
Creating Transitions in Avid Media Composer 6 – Excerpt from Avid 6 Core Training
2012-05-08
Media Composer
Avid Media Composer 6 – Creating a Storyboard Edit
Creating a Storyboard Edit in Avid Media Composer 6 – Excerpt from Avid 6 Core Training
2012-05-08
Media Composer
Avid Media Composer 6 – Importing Media
Importing footage into Avid Media Composer 6 – Excerpt from Avid Core Training
2012-05-08
Media Composer
Avid Media Composer 6 – Capturing from Tape
Working with Avid Media Composer 6 Capture Tool – Excerpt from Avid 6 Core Training
2012-05-08
Media Composer
Avid Media Composer 6 – The Audio Mixer
Working with the Audio Mixer in Avid Media Composer 6 – Excerpt from Avid 6 Core Training
2012-05-08
Media Composer
Learn Media Composer Lesson 5: Bins PART TWO
http://library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_5 In part two at our look at Bins inside of Media Composer/Symphony, Kevin P McAuliffe gets more in-depth with organization, and shows you some great quick tips to not only better organize your projects, but also help speed up that organizational process to get you editing a lot quicker.
2012-04-30
