In this episode, we’ll combat the stuttery mess of wrongly imported or ingested interlaced video footage by swapping the field order with the help of the Matte Key real-time effect. Buckle up, this one’s going to get geeky! And don’t forget to check out the show notes for more. Check out the blog enry for
In this episode, we’ll create shiny reflections of video as you may know them from the iTunes Store or advertisements. To accomplish that, we’ll use the real-time 3D Warp effect and all of it is going to take less than five minutes! Check out the blog enry for this week’s episode: http://avidscreencast.com/asc01
In this episode, we’ll increase your productivity by being able to quickly switch between different timeline views. For example, just press a button on your keyboard and automatically enlarge the audio tracks while turning on the audio waveforms. It’s quick and easy! Check out the blog enry for this week’s episode: http://avidscreencast.com/asc02
In this episode, we’ll create a swish-pan effect without using 3rd-party plug-ins. So it’s gonna be cheap, easy and will play in real-time! Check out the blog enry for this week’s episode: http://avidscreencast.com/asc03
BCC AVX for DS’s Lens Blur filter emulates a real-world defocused lens effect where the out-of-focus highlights of an image clip take on the shape of the blades that control the size of the lens diaphragm. In this video tutorial, we use the BCC Lens Blur filter to create a rack focus effect, which is
Create simple and fast fog and smoke effects in Avid DS without a third party particle system. DS presets for this tutorial are available from www.HDhead.com along with a number of other handy presets and tutorial podcasts.
With Avid Media Composer, you can tame shaky hand-held video footage, mask out or color-correct moving objects and elements, and create visual effects more easily using the built-in motion tracking, stabilization, Paint, and AniMatte tools. Learn how in this Cutting Edge video.
The editors behind The Ellen DeGeneres Show thrive on laughs and collaboration to cut each show, but that almost came to a halt when they transitioned to HD and changed editing systems. Hear how switching back to Media Composer put an end to their “constant chasing of problems.”
This Avid DS tutorial explains the basic use of Z buffer information when compositing 3D animation elements in Avid DS.
When you need to cut together multiple video clips from a variety of sources in mixed resolutions, nothing gives you the speed or superb image quality of the new Mix and Match features in Avid Media Composer 4. Forget hardware transcoding; with Media Composer 4 software, you can freely mix and match HD and SD
Get more features, more formats, more flexibility, and more fun! Media Composer® 4 is available now on Avid.com and at resellers near you. Mix and match SD and HD formats, frame rates, and resolutions in the same timeline Access and edit XDCAM, P2, and GFCAM media directly, without transcoding or copying files Acquire, edit, and
This is a follow up to the Avid DS On-screen Frame Calculator tutorial from May 2009. This lesson explains how to create the counters which are the basic building blocks for the frame calculator. DS presets for this tutorial are available from www.HDhead.com along with a number of other handy presets and tutorial podcasts.
Get your free trial copy of Avid® Media Composer® Tthe same video editing system used by the pros. “I don’t know anyone doing $200 million dollar movies who is not cutting on a Media Composer system. At this level, where there’s so much at stake, everyone uses it.” – Roger Barton, Editor, Transformers: Revenge of the
[almost] Everything you ever wanted to know about Timewarps (but were afraid or too lazy to read the manual to find out). Covers DS’s Constant, Hold, Speed, and Input Speed Timewarps
Robert Russo, Avid’s Application Specialist, talks to us about the new features and updates to Avid Media Composer 3.5 including the ability to easily edit Stereoscopic 3D.
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