http://library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_3 In this lesson, Kevin P McAuliffe begins at the top of the Settings window by looking at the Audio and Audio Project settings, and how a commonly overlooked setting can really get you into trouble, if you don’t know what you’re looking for.
In this lesson, Kevin P McAuliffe introduces you to the Media Composer interface, talks about Bins and the important part they play in your workflow, and begins his talk about Settings, and how you will use them to not only help your workflow, but help you out of problems when you run into them.
In this Avid Media Composer video tutorial, you’ll learn to use Source Side reformatting to adjust the aspect ratio of clips in your Media Composer sequence. The technique allows you to convert part or all of a sequence from one frame size to another, but doesn’t allow you to select the extracted area, unlike Record
From the most prestigious, award-winning productions, to music and movies made at home, Avid creates the technology that people use to make the most listened to, most watched and most loved media in the world.
In this video tutorial, you’ll learn to use Record Side reformatting to adjust the aspect ratio of clips in your Media Composer sequence. The technique allows you to convert part or all of a sequence from one frame size to another. In part 2, you’ll learn source-side reformatting and in part 3, you’ll learn Frame
In this Media Composer tutorial from Splice Training, you’ll learn to identify and remove matchframe edits in the timeline, how to locate flash frames and how to locate black holes in your sequence. This lesson covers part of the curriculum for Lesson 3 of MC201 – Media Composer 6: Advanced Picture and Sound Editing available
Imagine you’ve got major news stories breaking everywhere and an understaffed newsroom coping as best they can with an inundation of content coming in. With the industry’s most integrated, interconnected newsroom solutions, Avid can help you achieve a new level of production capability.
Imagine you need to produce a new, high-end reality show that features a few wrinkles TV audiences have never seen before. With the power to work quicker and more collaboratively, Avid can help you achieve the viewer engagement and ratings necessary to make your show an unqualified success.
Imagine you’ve got a stadium full of fans you need to get out of their seats and onto their feet. Now you can achieve a level of entertainment that keeps those fans coming back or tuning in time after time-no matter how your team is doing on the field.
Media Composer 6 107: Exporting and Sharing by Jeff Greenberg Video 27 of 35 for Media Composer 6 107: Exporting and Sharing All the cuts have been made. Everything’s looking and sounding good. The client has granted approval. Now its time to get this final production out into the world! In this tutorial Jeff Greenberg
Media Composer 6 107: Exporting and Sharing by Jeff Greenberg Video 12 of 35 for Media Composer 6 107: Exporting and Sharing All the cuts have been made. Everything’s looking and sounding good. The client has granted approval. Now its time to get this final production out into the world! In this tutorial Jeff Greenberg
Details how to sync and group a Multi Camera shoot in AVID Media Composer for Assistant Editors on Reality TV programs. Covers MultiGroup, Groups, Custom Views, Patching Tracks, and Syncing up video clips. If you need footage to practice with: 1) Set an analog clock to 12:00 and video tape it using any camera (even
In this tutorial, Kevin P McAuliffe gets you started in Avid’s Media Composer 6, and talks about some important concepts that you need to understand before you start editing. This tutorial series will teach you everything you need to know about not only Avid’s Media Composer, but Avid’s Symphony as well.
A very basic run through of Canon C300 AMA linking into Avid Media Composer 6.0.1
A very basic run through of Canon 5D Mk3 AMA linking into Avid Media Composer 6.0.1
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