library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_37 Project Archiving: In this lesson, Kevin P McAuliffe answers a viewer’s e-mail about the organization of media outside of MC/Symphony, and then shows you how using a free, third-party media management application will make your archiving process quick and simple.
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_36 OMF Export for Audio Post: In this lesson, Kevin P McAuliffe shows you how easy it is to set up a preset for exporting the audio in your sequence for audio post. He also shows you the ideal type of video file to export, so your audio engineer can check sync, and even shows
http://library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_35 In this lesson, Kevin P McAuliffe shows you a "hidden" gem inside of Media Composer and Symphony, and that is how to export a multichannel audio file. Most editors think that is is not possible in MC/Symphony, but Kevin shows you just how easy it is in a few short steps.
eyeon Connection for DS introductory video – pre-webinar DS 11.02 or later Fusion 6.4 evaluations http://eyeonline.com/Downloads.html click on Eval email – eval(at)eyeonline(dot)com for your evaluation license eyeon Connection download for DS http://eyeonfusion.vfxpedia.com/downloads/connectionDS_1.5.exe
http://library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_34 HD to SD Centercut: In this lesson, Kevin P McAuliffe talks about the importance of setting your title safe markers correctly to properly downconvert HD footage and centercut it, so that the image fills an entire 4×3 frame.
ibrary.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_33 HD to SD Letterbox: In this lesson, Kevin P McAuliffe shows you why you don’t need any third party applications to create SD Letterboxed content from your HD footage. Not only does he show you how easy it is, but also shows you a great trick to get around titling issues when downconverting. Note
Has a director ever asked you if you can fix a few bad shots? Have you struggled to make a final sequence look better? Steve Hullfish brought the art of color correction from the dark arts to the light of day in 2002 with his book Color Correction for Digital Video: Using Desktop Tools to
In this episode of The Rough Cut, I sit down with editor Tim Squyres on stage at the 2012 Boston SuperMeetUp. Tim, having just finished editing Ang Lee’s “Life of Pi” the Monday prior, has lots to share about shooting and editing in 3D, the role of the assistant editor on feature films, and his
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_32 In this lesson, Kevin P McAuliffe shows you how to start to create advanced effects inside of MC/Symphony by building some custom transitions. Not only does he show you how to create them, but he also shows you quick ways to apply them to multiple edits, as well as save them, to be used
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_31 In this lesson, Kevin P McAuliffe answers a viewer’s question about rendering an element with a matte key out of Apple’s Motion 5, for use inside of Avid’s Media Composer/Symphony. This lesson is not only great for Motion users, but it gives all VFX artists a look at the proper render and import process
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_30 In this lesson, Kevin P McAuliffe takes another look at the popular “Rocky Effect” tutorial he did, but takes things to a whole new level by showing you how to add unique clips to each of the letters, and make something that’s “WOW”, “AMAZING”!
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_29 In this lesson, Kevin P McAuliffe talks about media management inside of your project, and he shows you how to take advantage of the Media Tool to help you shrink those projects down, and free up more room on your bulging hard drives.
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_28 In this lesson, Kevin P McAuliffe talks about Video Mixdowns. They are a handy tool to have at your disposal, and in many NLE’s, creating a “Video Mixdown” is normally a multi-step process. Kevin discusses the pros and cons of using mixdowns, and also shows you why a “collapse” might be a better, non-destructive,
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_27 In this lesson, Kevin P McAuliffe shows how simple it is to edit music down to custom durations, and how a one frame dissolve, that’s technically not possible, will help you get out of audio jams. He also shows you how to cut music montages without any video needed. If you work on a
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_26 In this lesson, Kevin P McAuliffe shows you the other way to do mixing inside of Avid’s Media Composer and Symphony, and we’re talking about the Keyframe Method. This lesson shows you how simple it is to do keyframe audio editing, and also discusses why this might not be your best way to mix,
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