Quick review of top 10 Media Composer 7 features – Cached Waveforms | Vertical Scroll Timeline By: Wim Van den Broeck @editorbelga Footage courtesy of Mayca Teba: http://www.maycateba.com
Quick review of top 10 Media Composer 7 features – Audio Mixer | Clip Gain in Timeline By: Wim Van den Broeck @editorbelga Footage courtesy of Mayca Teba: http://www.maycateba.com
Quick review of top 10 Media Composer 7 features – Background Trancode/Consolidate By: Wim Van den Broeck @editorbelga Footage courtesy of Mayca Teba: http://www.maycateba.com
Quick review of top 10 Media Composer 7 features – Dynamic Media Folders By: Wim Van den Broeck @editorbelga Footage courtesy of Mayca Teba: http://www.maycateba.com
Quick review of top 10 Media Composer 7 features – FrameFlex | Color Management By: Wim Van den Broeck @editorbelga Footage courtesy of Mayca Teba: http://www.maycateba.com
Acquire high-resolution media and deliver in HD—with full creative control of reframing. More content today is shot with high-res cameras, but the majority of programming is still HD. With the new FrameFlex tools, you can immediately start working in HD directly from high-res sources and maintain full creative control of the image reframing and keyframing,
Screen recorded using my 2008 Macbook Pro so bare with the lags. These are the key new features I’m excited about in the latest update to Avid Media Composer and Symphony. For more info on all the new features look at the official Avid Documentation here: http://avid.force.com/pkb/articles/en…
Hello, this is Travis White with NewBlue, and I’m here to show you NewBlue Titler Pro Basics inside Avid Media Composer. Click here to see the other NewBlue Videos. Part Three shows us how to work with effects and shapes inside Titler Pro 1.0. Travis covers each of these tips in this tutorial: Access NewBlue
Hello, this is Travis White with NewBlue, and I’m here to show you NewBlue Titler Pro Basics inside Avid Media Composer. Click here to see the other NewBlue Videos. In Part Two, Travis teaches us how Titler Pro 1.0 can help you easily customize and manipulate titles, including: Leading and kerning Highlight subsections of text
Hello, this is Travis White with NewBlue, and I’m here to show you NewBlue Titler Pro Basics inside Avid Media Composer. Be sure to scroll down to see both Parts 2 and 3 in this post. Click here to see the other NewBlue Videos. In Part One, he shows us step-by-step instructions for how to
http://library.creativecow.net/mcauli… In this lesson, Kevin P McAuliffe talks about encoding your exported Media Composer timelines using Apple’s Compressor. This lesson is specifically focused on Editors who have made the switch from Final Cut Pro/Studio to Avid’s Media Composer, but still want to get the most out of the applications in the bundle, and not have
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_83 In this first of a multi-part tutorial series, Kevin P McAuliffe takes a look at setting up your Media Composer or Symphony timelines for creating SD DVD’s. He covers formatting issues you need to keep in mind, as well as the proper way to export your sequence in three important, but very different ways.
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_82 In this lesson, Kevin P McAuliffe answers a common question, and that is “What is the difference between Consolidating and Transcoding?”. Not only does he explain the difference and show you how easy both are to use, but he also discusses Batch Importing, and how what might seem like the best way to work,
In this episode of The Rough Cut, producer Greg Spence gives us an inside look at their visual effects process and how they blend great location scouting with digital imagery to make fantasy a reality. With a workflow that often begins on location in the harshest conditions, Greg walks us through a post process that
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_81 In this lesson, Kevin P McAuliffe answers a viewer’s e-mail about creating multichannel audio exports. Most people think that this is a hardware limitation for most PC’s and Mac’s, but Kevin quickly shows you that this is very easy to set up right from within your export settings, and once you have a preset,
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