In this lesson, Kevin P McAuliffe continues his look at editing Music videos by starting to talk about effects work in your music video timeline. Transitions play a big part in the editorial process, and sometimes you need to use a program like AE to create transitions, or buy them from a third-party company. In
In this lesson, Kevin P McAuliffe goes back to Basics with learning Multicamera editing, and talks about the ins and outs you’ll need to know to get up and editing with this technique quickly and easily. He looks at syncing your footage via Timecode or In points, and then dives into showing you how to
In this lesson, Kevin P McAuliffe continues his look at editing Music videos by talking about syncing up your footage to prep it for Multicamera editing inside of Media Composer. We take a look at Pluraleyes, a third party utility designed specifically for syncronizing non-timecoded clips, and the advantages and disadvantages of using this workflow.
In this lesson, Kevin P McAuliffe gives an introductory look at editing Music Videos, and shows you how to get your project organized inside and outside of Media Composer. He also talks about getting your footage into Media Composer, and transcoding it, so it’s all ready to go. Music Video footage in this tutorial is
In this advanced lesson, Kevin P McAuliffe shows you how to quickly and easily recreate the “Ken Burns” effect right from within your Media Composer timeline, using the Avid Pan & Zoom effect, located in the “Image” category of the effects palette.
In this lesson, Kevin P McAuliffe takes a look at another advanced technique after receiving an e-mail from a viewer who was having concerns about adding SD 4×3 footage to his HD 16×9 timeline.
In this lesson, Kevin P McAuliffe takes a look at an advanced technique after receiving an e-mail from a viewer who was having problems roundtripping his sequence from Media Composer to Adobe’s After Effects.
In part 2 of our two part look at Export Settings, Kevin P McAuliffe talks how you can export your HD sequences as SD clips, this way avoiding using programs like Adobe’s Media Encoder or Sorenson Squeeze to do your downconversion, and then Kevin talks about the new 8.3.1 update to Media Composer, and how
In part 1 of our two part look at Export Settings, Kevin P McAuliffe talks about how important they are in getting your footage out of Media Composer, and how to set up a Same As Source export, as well as a custom HD export.
In this lesson, Kevin P McAuliffe begins his look at your Settings inside of Media Composer. Settings are what is going to get you up and running quickly on not only your own system, but on other systems you might find yourself on. There are so many options in settings, but Kevin will show you
In this lesson, Kevin P McAuliffe continues his look at bins, this time focusing on some hidden gems, that once you see, will really speed up your workflow. This is a great “power user” basic tutorial to show you how some not so obvious features can help you get your work done faster than ever
In this lesson, Kevin P McAuliffe begins his in-depth look at bins by talking about the different view types, Bin Settings, and creating your own bin views. If you want to keep your projects organized, so you can find your footage quickly, this tutorial is for you!
Jump forward in the video as the intro has some strange audio. In this lesson, Kevin P McAuliffe gives you an overview of the Composer window, and also talks about bins, how to create them, organize them, and easily find them using the cool new search feature.
In this lesson, Kevin P McAuliffe introduces you to the project selection window, and talks about how you need to think about your project a little different when creating it.
In this introductory Lesson, Kevin P McAuliffe introduces you to Avid Media Composer Subscription (also called MC8). He talks about the Application Manager, how it works, and why you’ll want to keep you eye on it. He also talks about the free software you receive, and how to go about getting it, and finally, he
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