In this episode, we’ll combat the stuttery mess of wrongly imported or ingested interlaced video footage by swapping the field order with the help of the Matte Key real-time effect. Buckle up, this one’s going to get geeky! And don’t forget to check out the show notes for more. Check out the blog enry for
In this episode, we’ll create shiny reflections of video as you may know them from the iTunes Store or advertisements. To accomplish that, we’ll use the real-time 3D Warp effect and all of it is going to take less than five minutes! Check out the blog enry for this week’s episode: http://avidscreencast.com/asc01
In this episode, we’ll increase your productivity by being able to quickly switch between different timeline views. For example, just press a button on your keyboard and automatically enlarge the audio tracks while turning on the audio waveforms. It’s quick and easy! Check out the blog enry for this week’s episode: http://avidscreencast.com/asc02
In this episode, we’ll create a swish-pan effect without using 3rd-party plug-ins. So it’s gonna be cheap, easy and will play in real-time! Check out the blog enry for this week’s episode: http://avidscreencast.com/asc03
With Avid Media Composer, you can tame shaky hand-held video footage, mask out or color-correct moving objects and elements, and create visual effects more easily using the built-in motion tracking, stabilization, Paint, and AniMatte tools. Learn how in this Cutting Edge video.
When you need to cut together multiple video clips from a variety of sources in mixed resolutions, nothing gives you the speed or superb image quality of the new Mix and Match features in Avid Media Composer 4. Forget hardware transcoding; with Media Composer 4 software, you can freely mix and match HD and SD
Get more features, more formats, more flexibility, and more fun! Media Composer® 4 is available now on Avid.com and at resellers near you. Mix and match SD and HD formats, frame rates, and resolutions in the same timeline Access and edit XDCAM, P2, and GFCAM media directly, without transcoding or copying files Acquire, edit, and
Robert Russo, Avid’s Application Specialist, talks to us about the new features and updates to Avid Media Composer 3.5 including the ability to easily edit Stereoscopic 3D.
In this episode, Dave Forsyth shows you how to use Avid Marquee to animate text along a pre-drawn path
You want to do your best work while staying on time and on budget. From ingest to playout, Avid HD News solutions deliver workflow speed, flexibility, and creative power. So you can be first with the most compelling stories and a better bottom line.
Gain more flexibility during production with Read Audio Timecode, a feature in Avid Media Composer that allows you to capture audio and video separately and then automatically synchronize the sources together as you begin editing. During production, you use an external timecode generator to sync the internal clock of the sound recorder, while feeding the
Avid creates the digital audio and video technology used to make the most listened to, most watched and most loved media in the world. Some of Avid¹s most influential and pioneering solutions include Media Composer®, Pro Tools®, Avid Unity™, Interplay® and Sibelius®. Learn more: http://www.avid.com
Avid Certified Senior Instructor shows you how to use the Avid Media Composer Motion Tracking feature
In this episode, Avid Certified Senior Instructor Dave Forsyth shows how you can use Avid Marquee to create customised wipes
Intraframe editing really has a million-and-one uses! Check this one out as we enhance a scene using clone, erase and lighten objects creating a second distant island in the background. This was shot on location at North Head near Devonport which is located on the north shore of Auckland harbour, New Zealand.
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