Offline Online Sony XDCAM HD Proxy Workflow. If you have questions about this workflow please post them here: http://community.avid.com/forums/t/94734.aspx
Learn how to create a transport beam effect using a chroma key filter within Avid Media Composer.
Learn how to use a combination of effects to create a 3D world within Avid Media Composer.
Learn how to fix jump cuts using the Fluid Morph effect within Avid Media Composer.
Learn how to use a combination of Avid Media Composer and the Marquee Title tool create an amazing light streak effect.
This video will provide step-by-step instructions for installing the AVC-Intra Codec module into your existing Nitris DX hardware. Please refer to your AVC-I Codec Module documentation for further information.
Learn how to use the magic mask effect in Avid Media Composer to create an effect similar to the Pleasantville effect. You can view a full text transcript of this tutorial by visiting: http://www.geniusdv.com/news_and_tutorials/2011/01/magic_mask_in_avid_media_c…
It’s almost Christmas and I did the Santa last year. What’s left? Snow! So this week, we’re going to add snow to an image and we’ll use a couple of advanced options to make it look ab bit more real (or a bit less fake, depending on your perspective).
This week, we’ll continue creating a semi-transparent video progress bar as you know them from Youtube et. al. Last week, we created the background elements in Marquee, this week, we’ll create the remaining elements and then animate them in Media Composer. Here is a direct link to part I below:
Media Composer 5 introduced several improvements to audio (RTAS plug-ins, Stereo Audio Tracks, ability to view automation gain on individual tracks). At the time MC5 was introduced, Pro Tools couldn’t open RTAS plug-ins and stereo tracks from MC.With the intro of PT 9, not only can Pro Tools open RTAS plug-ins and Stereo Tracks, it
This week and next, we’ll create a semi-transparent video progress bar as you know them from Youtube et. al. We’ll create the elements in Marquee, then (next week) animate in Media Composer. The cool thing about this approach is that you’ll be able to change the length of the animation to fit your piece of
How to move Media Composer projects to Avid DS and get started with finishing.
This week, another viewer suggestion: We’ll create the high-contrast, saturated look that is common to many sports trailers. We’ll also play around with BCC’s Glow and add some flicker to the shots.
Distort and degrade your shots to give it the look of surveillance camera footage.
Learn how to use Avid Media Composer’s animatte feature to color correct video. You will also learn how to create a moving matte using Avid Media Composer’s tracker.
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