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Media Composer

Let’s Edit with Media Composer – Lesson 7 – Transcoding

In this lesson, Kevin P McAuliffe talks about Transcoding. We’ve talked in Lesson 5 about working with Avid “friendly” media. Now we need to talk about footage that requires a recompression to Avid Media, for you to work with in your Media Composer timelines. Whether it’s in an offline or online scenario, there is some

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Media Composer

Mono Vs. Stereo Tracks in AVID

Heads up, some of the audio meters did not play/record in real time because I recorded this through a Teradici remote setup. Learn AVID faster so you have time to drink morebeer! http://avidbeer.com

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Media Composer

What’s New in Avid Media Composer 2020.12

Wrapping up the year with a new release of Avid Media Composer that includes more enhancements to the user interface, support for H.265/HEVC media, docking tools to floating bins and panels, Avid Titler + updates, selecting color spaces and AAC audio for export, some fantastic new improvements to the Audio Mixer and so much more.

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Media Composer

Let’s Edit with Media Composer – Lesson 6 – Source Settings

In this lesson, Kevin P McAuliffe talks about Source Settings. Understanding them is an exceptionally important step between linking to your footage, and transcoding it, which we’ll talk about in our next lesson. We’ll look at Color processing and Frameflex, as well as the ability to adjust RAW native parameters in the Source Settings window,

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