Step 7: Syncing Audio and video in Avid Media Composer Learn how to create, modify and manage a sync map sequence using timecode, then sync double-system audio and video clips in Avid.
Step 6: Importing and Organizing Audio Files in Avid Media Composer Learn how to import audio files into Avid, assign and manage clip metadata in preparation for syncing to video.
Step 5: Organizing video dailies in Avid Media Composer Learn how to manage metadata on video files in Avid Media composer, including copying column data and best practices for setting up your bins.
Step 4: Importing ALE files to Avid Media Composer and relinking master clips to MXF media Learn how to import ALE files into Avid, view bin metadata, and relink master clips to MXF media files.
Step 3: Exporting media and metadata from Resolve for Avid Media Composer Learn how to render Avid MXF files from Resolve, and export ALE files (bin metadata) for Avid Media Composer.
Step 2: Creating and managing export timelines in Resolve Learn how to create timelines in Resolve, and add data burn-in in preparation for export to Avid Media Composer.
Step 1: Importing and organizing footage in Resolve Learn how to set up a Resolve project, import production camera files, and organize metadata.
This 8-minute video shows an example of how to use the new features of Waveform Sync in the timeline, and the new Create Group From Sequence. In this video, I show how I can use these features to sync up footage from five consumer-grade cameras covering a Christmas concert to an audio track separately mixed
In this lesson, Kevin P McAuliffe talks about the newest updates to Boris Continuum Complete 2019’s Title Studio. This first, in a multi-part tutorial series, will focus in on BCC’s excellent title application. This effect has improved by leaps and bounds since it’s inception, and if you’re a Media Composer editor who does most of
Tired of grouping clips by hand? Wish there was a better way to collapse all of your video tracks into one? Look no further! Avid Media Composer 2018.12 gives us the update we’ve been waiting for; Group Clipping straight from the sequence! Software used: Media Composer 2018.12 http://redarrowindustries.com/ https://www.facebook.com/RedArrowIndustries/ https://twitter.com/redarrowindust
Wish there was a better way to sync your audio to your video files? With the newest update from Avid Media Composer we get just that! I’ll show you how to let Avid do the heavy lifting when it comes to your pre-edit needs. Software used: Media Composer 2018.12 http://redarrowindustries.com https://www.facebook.com/RedArrowIndustries/ https://twitter.com/redarrowindust
Tired of using boring, simple titles? In this tutorial, I’ll explain how you can use some of the most basic elements in Avid Media Composer to create interesting title animations to help spice up your edits! Software used: Media Composer 8.8.5 http://redarrowindustries.com/ https://www.facebook.com/RedArrowIndustries/ https://twitter.com/redarrowindust
New! Continuum 11 for Avid is Now Available Continuum 11 delivers major new tools to Avid editors! New! Primatte Studio: Academy Award-nominated chroma key tech New! VR Unit: 5 powerful filters for 360/VR editing tasks New! Broadcast Safe: Instantly pass broadcast safe standards New! Title Studio: Adds 3D render options including depth-of-field Special guest presenter
The first video in a six-part series featuring colorist and finishing editor, Mike Nuget.
This video explains locked and unlocked tracks in Avid Media Composer. It is a companion tutorial for Lesson 4 of the Mastering Avid Media Composer’s Keyboard Shortcuts Series. Knowing this concept will keep you from knocking your clips out of sync.
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