PLEASE NOTE: This is a special Christmas Episode, so… be prepared for that 🙂 Sometimes, you need to obscure the face of a person, be it for legal or aesthetic reasons. In this episode, we’ll do just that using a very special technique. Check out the blog entry for this week’s episode: http://avidscreencast.com/asc10
In this episode, we’ll create the Pleasantville Effect – everything is black-and-white except for one color – using a Spectramatte and an Animatte for creating a garbage matte. Check out the blog enry for this week’s episode: http://avidscreencast.com/asc05
In this episode, I’ll show you how to remap your keyboard and give you a couple of ideas on what functions to map to it. If this does not make you at least 10% more productive, I’ll refund your money. Check out the blog enry for this week’s episode: http://avidscreencast.com/asc06
Create a high-contrast colorized look to your image to make it pop! Check out the blog enry for this week’s episode: http://avidscreencast.com/asc07
In this episode, we’ll combat the stuttery mess of wrongly imported or ingested interlaced video footage by swapping the field order with the help of the Matte Key real-time effect. Buckle up, this one’s going to get geeky! And don’t forget to check out the show notes for more. Check out the blog enry for
In this episode, we’ll create shiny reflections of video as you may know them from the iTunes Store or advertisements. To accomplish that, we’ll use the real-time 3D Warp effect and all of it is going to take less than five minutes! Check out the blog enry for this week’s episode: http://avidscreencast.com/asc01
In this episode, we’ll increase your productivity by being able to quickly switch between different timeline views. For example, just press a button on your keyboard and automatically enlarge the audio tracks while turning on the audio waveforms. It’s quick and easy! Check out the blog enry for this week’s episode: http://avidscreencast.com/asc02
In this episode, we’ll create a swish-pan effect without using 3rd-party plug-ins. So it’s gonna be cheap, easy and will play in real-time! Check out the blog enry for this week’s episode: http://avidscreencast.com/asc03
With Avid Media Composer, you can tame shaky hand-held video footage, mask out or color-correct moving objects and elements, and create visual effects more easily using the built-in motion tracking, stabilization, Paint, and AniMatte tools. Learn how in this Cutting Edge video.
When you need to cut together multiple video clips from a variety of sources in mixed resolutions, nothing gives you the speed or superb image quality of the new Mix and Match features in Avid Media Composer 4. Forget hardware transcoding; with Media Composer 4 software, you can freely mix and match HD and SD
Get more features, more formats, more flexibility, and more fun! Media Composer® 4 is available now on Avid.com and at resellers near you. Mix and match SD and HD formats, frame rates, and resolutions in the same timeline Access and edit XDCAM, P2, and GFCAM media directly, without transcoding or copying files Acquire, edit, and
Get your free trial copy of Avid® Media Composer® Tthe same video editing system used by the pros. “I don’t know anyone doing $200 million dollar movies who is not cutting on a Media Composer system. At this level, where there’s so much at stake, everyone uses it.” – Roger Barton, Editor, Transformers: Revenge of the
Robert Russo, Avid’s Application Specialist, talks to us about the new features and updates to Avid Media Composer 3.5 including the ability to easily edit Stereoscopic 3D.
In this episode, Dave Forsyth shows you how to use Avid Marquee to animate text along a pre-drawn path
Gain more flexibility during production with Read Audio Timecode, a feature in Avid Media Composer that allows you to capture audio and video separately and then automatically synchronize the sources together as you begin editing. During production, you use an external timecode generator to sync the internal clock of the sound recorder, while feeding the
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