Works for all Canon DSLRs. I’m using Symphony 6 here but the workflow is identical in Media Composer. We start with AMA native H.264 playback, then cut offline DNxHD36 files and relink to the originals, and then wrap up with encoding for the web using Sorenson Squeeze 8.5 and x264. Follow me on twitter for
ARRI’s line of ALEXA cameras has become popular among filmmakers, as the cameras can digitally capture the cinematic look of film. And now these cameras are able to record to high-quality, SMPTE-standard Avid DNxHD format, so you can edit the footage natively in Media Composer and Symphony—without transcoding or importing. In this video, ARRI’s JD
Working with Avid Media Composer 6 Title Tool – Excerpt from Avid 6 Core Training
Exporting Media from Avid Media Composer 6 – Excerpt from Avid 6 Core Training
Working with Avid’s Trim Tools – Excerpt from Avid 6 Core Training
Creating Transitions in Avid Media Composer 6 – Excerpt from Avid 6 Core Training
Creating a Storyboard Edit in Avid Media Composer 6 – Excerpt from Avid 6 Core Training
Importing footage into Avid Media Composer 6 – Excerpt from Avid Core Training
Working with Avid Media Composer 6 Capture Tool – Excerpt from Avid 6 Core Training
Working with the Audio Mixer in Avid Media Composer 6 – Excerpt from Avid 6 Core Training
http://library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_5 In part two at our look at Bins inside of Media Composer/Symphony, Kevin P McAuliffe gets more in-depth with organization, and shows you some great quick tips to not only better organize your projects, but also help speed up that organizational process to get you editing a lot quicker.
With the latest versions of Media Composer, Symphony, and NewsCutter, you can now record, edit, and mix audio in up to 7.1 surround. Learn about the new tools and get a walkthrough on how to add surround tracks to your video projects, set up monitoring, split stereo material into surround, and mix audio in this
http://library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_4 In part one of this two part look at Bins, Kevin P McAuliffe talks about creating not only customized bin views, but also shows some great hidden gems to really organize your projects so all of your edit sessions go as smoothly as possible.
http://library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_3 In this lesson, Kevin P McAuliffe begins at the top of the Settings window by looking at the Audio and Audio Project settings, and how a commonly overlooked setting can really get you into trouble, if you don’t know what you’re looking for.
In this lesson, Kevin P McAuliffe introduces you to the Media Composer interface, talks about Bins and the important part they play in your workflow, and begins his talk about Settings, and how you will use them to not only help your workflow, but help you out of problems when you run into them.
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