You may have heard about the ways in which Media Composer can save you copious amounts of time in the editing suite. Now we’d like to show you Media Composer/FCP double agents—and those looking to expand your workflow—how fast and easy it is to work with ProRes using the latest Media Composer family software. Whether
An overview of how to use eyeon Connection AVX2 for Media Composer/Symphony See the eyeon Connection manual for complete product details http://eyeonfusion.vfxpedia.com/downloads/Connection_Install.exe
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_6 In this lesson, Kevin P McAuliffe continues his talk about settings, this time talking about the capture setting, and he gives a tour of the capture tool, and gives some tips on how to get yourself even more organized when you are editing.
eyeon Connection for Avid Media Composer and Avid Symphony
Excerpt from Avid 6 Core Training by Steve Kanter
Follow Matt on Twitter – http://twitter.com/MattFeury In our 40th episode of The Rough Cut, Matt sits down with Producer and Director, Doug Liman (Swingers, The Bourne Identity, Covert Affairs). Doug talks about his experiences working in both film and television, as well as how to talk Brad Pitt and Angelina Jolie into doing your movie
Media Composer 6, Symphony 6, and NewsCutter 10 all feature some important updates and enhancements to the Keyframe Editor. Find out what changes we made—and why—and get a walkthrough of how these updates now work in this video tutorial. Learn more about Media Composer Family http://www.avid.com/US/products/family/Media-Composer?cmpid=70140000000Tg2Q
In this tutorial, Chesapeake System’s software trainer Luis Sierra goes over how to add elements to a rough cut including video transitions.
In this tutorial, Chesapeake System’s software trainer Luis Sierra introduces you to Avid’s Media Composer 6. You will get a basic overview of the application and go through the steps of importing footage.
In this tutorial, Chesapeake System’s software trainer Luis Sierra introduces you to some basic trimming techniques in Avid Media Composer 6.
In this tutorial, Chesapeake System’s software trainer Luis Sierra goes over how to add elements to a rough cut including video transitions.
Learn how to create a customized wind blur effect using Avid Media Composer’s paint functionality
On May 17, 2012, Steve Holyhead demonstrated how to create stunning light effects with Boris Continuum Complete 8 AVX. Attendees learned how to create cinematic looks, stylish broadcast design elements, and beautiful transitions with BCC Lens Flare 3D; simulate production lights, projectors, or stage lighting with BCC Stage Light; create the soft feel of exposed
I’m using Symphony 6 here but the workflow is identical in Media Composer. Start in Redcinex pro for a one light of the R3ds. Then we go to Avid for AMA native R3D playback, then cut offline DNxHD36 files and relink to the originals, and then wrap up with mastering at 1080 and grading DNxHD444
Works for all AVCHD cameras Make sure to download the AVCHD plugin from Avid’s website. It’s required for this workflow: avid.com/ama I’m using Symphony 6 here but the workflow is identical in Media Composer. We start with AMA native AVCHD playback, then cut offline DNxHD36 files and relink to the originals, and then wrap up
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