How To by Avid Customer Support covers basic operation of your Avid software, system troubleshooting, quick tips, and much more. This specific video shows quick review of what is new in the latest 8.1 update. Subscribe on the Avid Knowledge Base: http://www.avid.com/howto What’s New in Media Composer Software (v8.1): http://avid.force.com/pkb/articles/en…
For more information on our products, please visit http://www.redgiant.com Here is a quick run throgh of how to use PluralEyes 3 software with Media Composer.
In this video we look at how saving effect settings for commonalities between clips can really speed up your editing session. As a Media Composer user, you probably already know how to save effect settings. But, you can also save a partial set of settings that will apply to several clips, and then go back
Hold down the control key and use your middle mouse roller for fine control for many of the Media Composer functions including: Color Correction functions Effect Mode sliders Timeline Navigation. I guess there is a Mac Equivalent with a decent mouse.
This tutorial demonstrates how to leverage Avid’s powerful and efficient color correction by working in Color Correction mode, which allows you quick access to its color grading features but keeps them out of the way while you’re editing
Avid Professional Services and Customer Support now bring you the new ‘How To’ series covering basic operation of your Avid software, system troubleshooting, quick tips, and much more. This video will show the My Account on www.avid.com. How to download updates, find license codes, and general info about My Account. Subscribe to How To on
ISIS shared storage, part of the Avid Storage Suite, provide unparalleled system access, performance, and scalability, so your facility can enhance collaboration and operate more efficiently. More productions are shooting with 2K and 4K cameras, and facilities need a powerful storage system that supports these workflows. ISIS shared storage systems now support 4K and Ultra
Today’s broadcast industry is going through unprecedented change. In order to survive and thrive in this transformative era, broadcasters need to increase collaboration among their teams, optimize the value of their media assets, and deliver higher-quality media that engages audiences on multiple screens. Our Avid Everywhere vision for broadcast solves these unique needs by providing
Avid Everywhere is our strategic vision for helping content creators and media organizations connect with consumers more powerfully, efficiently, collaboratively, and profitably. Video professionals and post-production houses are facing unprecedented challenges. As media technology continues to evolve, projects are getting larger and more complex. It has become necessary to connect creative professionals in distributed workflow
Media Composer quick tip to remain in color correction mode while jumping to in or out marks. Triggered by a question on the DS list about Goto In or Out while in color correction mode of the Media Composer. Frustration loomed as editors were forced back into source/record mode wasting valuable time and keystrokes to
Manhattan Edit Workshop instructor Janet Dalton’s tutorial for using Frame Flex in Avid MC7. For more information about our courses please go to mewshop.com/courses/overview/
Manhattan Edit Workshop instructor Janet Dalton’s tutorial for using Frame Flex in Avid MC7. For more information about our courses please go to mewshop.com/courses/overview/
If you’re not getting what you need to succeed—or you’re a former Avid user who switched (we’d love to have you back)—join award-winning editor Kevin P McAuliffe to get started fast. In our fifth and final “Get Started Fast with Avid for Final Cut Pro 7” tutorial, Kevin P McAuliffe opens up the Audio Tools
Use Pan and Scan to notch media based on an AAF composition or an old school .edl I came up with this trick in the 90s when Symphony was released and posted it to the Avid List way back when. Hope it helps someone. With this trick you can easily add edits to a videomixdow
If you’re not getting what you need to succeed—or you’re a former Avid user who switched (we’d love to have you back)—join award-winning editor Kevin P McAuliffe to get started fast. In our fourth “Get Started Fast with Avid for Final Cut Pro 7” tutorial, Kevin P McAuliffe tackles effects. Learn how to transfer your
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