Avid certified trainer, Nick Harauz, shows Media Composer users BCC Lite – 4 free effects plugins from Boris FX Includes: Lens Flare 3D BCC Scanlines BCC Colorize BCC Swish Pan Learn more about the full Continuum Complete for Avid package – https://www.borisfx.com/products/cont…
Using Avid Media Composer and BCC 10 plug-ins with integrated mocha tracking & masking, Martin Brennand shows you how to replace an actor’s eyes when they accidentally look at the camera. Using similar techniques you can quickly track, mask and replace performances, either to fix mistakes or to get creative with your shots. Learn more
In this tutorial you’ll learn the fundamentals of animating titles and graphics using NewBlue Titler Pro within Avid Media Composer. Discover the various ways to: • Navigate the animation Library • Preview animations instantly for quick editing • Adjust effect animation parameters • Use and manage keyframe animation • Automatically change template duration to the
Avid’s Michael Krulik details updates included in the latest Media Composer 8.5, and in particular related to 4K workflows. Presented as part of the Digital Cinema Society 2015 Post event, “4 Ways to a 4K Finish.” (Note: This video was previously embargoed pending the release of Media Composer 8.5)
In this tutorial you’ll learn the fundamentals of using NewBlue Titler Pro within Avid Media Composer. Discover the simplicity of: • Adding style to text objects in 2D or 3D using the library of pre-set styles • Controlling 3D orientation • Applying multiple style layers to augment your look, • Manipulate color and gradients •
Presented by: Daniel Huber Creativity is flowing, the deadline is looming, and the pressure is mounting. The last thing you want is a technical glitch to interrupt your work. Whether you’re faced with file corruption, a playback issue, or something entirely different, you need to find the root cause and fix it, fast. Let Media
In this tutorial you’ll learn the fundamentals of using NewBlue Titler Pro within Avid Media Composer. See how easy it is create: • Title templates which allow you to create fast and efficient text replacement using the Quick Edit interface found in Titler Pro 2.5. • Flexible options for character sizing and position • Object
Learn how to Rotoscope to create moving mattes within Avid Media Composer. This tutorial demonstrates how to clone a moving object ( the skateboarder).
This tutorial will teach you the different keyboard shortcuts for using Bins in Avid Media Composer. You’ll learn how to create a new bin, create a new sequence, adjust the size of frames in a bin, sort bin columns and more. TONS more info and resources on the Edit Video Faster website: http://wp.me/P4J1Oy-g Bins Keyboard
In this tutorial you’ll learn the fundamentals of using NewBlue Titler Pro within Avid Media Composer. Discover the various ways to: • Apply resolution independent titles to your Media Composer timeline • Use the library to apply quick styles and animations • Create multi-title sequences in a single clip • Re-use library designs for repetitive
Welcome to the fifth episode of our 5-part tutorial series ‘Get Started Fast with Media Composer for High-Res Workflows’ on Avid Blogs. In this final lesson Kevin P McAuliffe shows us how to export larger than HD media and create high-res masters from Media Composer, but also focus on Resolve roundtripping, as well as exporting
Welcome to the fourth episode of our 5-part tutorial series ‘Get Started Fast with Media Composer for High-Res Workflows’ on Avid Blogs. Using an Instagram project as an example, in this lesson I will show you how to set up and work with Custom Frame Sizes; from adjusting your footage and clips with FrameFlex to
In this video we look at how to change the brightness of our interface in Avid Media Composer. When you first open Media Composer you will be greeted with a light gray interface. This is easily changed by going to SETTINGS, Interface, and adjusting our slider. These settings will be remembered with your Media Composer
Welcome to the third episode of our 5-part tutorial series ‘Get Started Fast with Media Composer for High-Res Workflows’ on Avid Blogs. In this video, I will focus on editing in High Res projects specifically; starting with the concept of Color Encoding and FrameFlex adjustments, explaining how to use the Proxy Timeline, as well as
When editing in Media Composer, often it is helpful to show the audio waveforms of your audio/music/voice clips in order to have a visual reference when cutting and editing clips. Media Composer gives you a couple ways to show your waveforms. You can show them all, or you can show them on selected tracks only.
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