In this lesson, Kevin P McAuliffe gives you an overview of the process of working with 4K footage in your HD timelines. He covers transcoding, a basic edit, and then talks about how easy it is to relink to your 4K footage, just in case your client decides that they want a different look from
In this lesson, Kevin P McAuliffe wraps up his introductory look at 4K workflows inside of Avid Media Composer by showing you how to easily “roundtrip” your sequence from Media Composer to DaVinci Resolve, and back again. This tutorial is essential as color correction is a key step in your online workflow.
In this lesson, Kevin P McAuliffe answers one of his most asked questions, “Can you utilize transfer modes inside of Media Composer?” To do this common After Effects task, you will require a third party effect, but if you’re coming from Media Composer 7, chances are you already have the effect you need, you just
In this lesson, Kevin P McAuliffe shows you how easily it is to create a background bed for your text, right in your Media Composer timeline. Using Timewarp, BCC Colorize (which comes with your MC subscription plan), the built in MC Blur effect, and a simple title, you can add some style, and save your
In this lesson, Kevin P McAuliffe talks about the newly release 8.3 update to Avid Media Composer subscription. He looks at new resolutions, transcoding options, a new codec – DNxHR and even a couple addition bells and whistles, that are a welcome addition for Media Composer editors.
In this lesson, Kevin P McAuliffe takes you through the new features in Media Composer version 8.2. There’s a lot of great stuff here, including Background Rendering, Favorite Bins and new search features !
In this video we look at how to use the Paint Effect to re-color/colorize/color-correct a portion of a video clip, and how to use motion tracking with the Paint Effect in Avid Media Composer. We are using Avid Media Composer 8.5.1 in this video, but the process will be the same for other versions. First,
In a couple other Media Composer videos we were talking about not needing to scale up things like Muzzle Flashes when we import into Media Composer. In this video I want to show you this in action so you can see the difference in each of the Image Size Settings when you import. While we
In this video we look at how to Zoom In and Out and move an enlarged image in the Source and Record Monitors in Avid Media Composer. Be sure to watch the last video to see how to Zoom when in Effect Mode: (Link here) Zooming in on your footage can be very helpful. It
This tutorial teaches you how to change the name of a project in Avid Media Composer. In this quick lesson we’ll create a project, find the project files on your hard drive then rename the project. BTW, I publish a weekly newsletter called the Video Editor’s Digest. In it you’ll get awesome tips, tricks, resources
In this video I’ll show you how to zoom in on the Effects Preview Monitor and how to move the enlarged image around so you can manipulate your effects and trackers more precisely. When using several effects, sometimes you really need to drill down to a certain area of your image to make sure everything
In this video I go over some tips you can use when you are using the Tracking Tool in Avid Media Composer. We cover, how to change the color of your trackers. How to add a new tracker after you have already tracked. How to track only the trackers you want. How to zoom in
In this video we look at how to blur or pixelate portions of a video using the BLUR and MOSAIC Effects in Avid Media Composer. We will go over the controls of each effect (which are the same), how to apply them to a clip, and how to use the tools to get your blur
In this short tutorial, editor Nathan Ryan shows Avid Media Composer users a few different methods, tips, and tricks for quickly fixing flickering footage with Continuum Complete. For more information on Continuum Complete, please visit: https://www.borisfx.com/products/cont…
Designed especially for Avid Media Composer, this LUT legalises video levels to be broadcast safe. RGB and Luma are corrected to be within EBU-R103 gamut requirements. A great purchasable alternative to hardware legalisers and perfect for file-based mastering
Hi, I’m the guy updating this site. I hope you enjoy it, and that it’s useful for you. I don’t make the videos here, but I do collect them and add it here, so you can find them.
If you enjoy this page, and you absolutely want to give something back for my work of collecting these, then here is my paypal.
