Continuum Title Studio is a next-generation 3D Titling and Animation tool that comes as a plug-in for Avid Media Composer with Continuum suite. With Title Studio, it’s easy to create 2D/3D vector titling and motion graphics (including C4D and OBJ 3D model import) directly inside the host of your choice. Built on a powerful and
This tutorial will explain the different settings in media creation that you can alter in the project settings tab in Avid Media Composer! Software used: Media Composer 8.5.3 http://redarrowindustries.com/ https://www.facebook.com/RedArrowIndustries/
This tutorial will explain two ways that you can create a blur transition in Avid Media Composer! Software used: Media Composer 8.5.3 http://redarrowindustries.com/ https://www.facebook.com/RedArrowIndustries/
In this lesson, Kevin P McAuliffe keeps the discussion of Chroma Keying going by talking about the basics of Mocha Masking inside of the Primatte Studio effect. Mocha is a powerful tracking and rotoscoping tool, but it can also be used as a basic masking/garbage matting tool. In this lesson, we talk about the basics,
You’ve seen this effect a thousand times on news channels, Dateline, 20/20, the ID Channel and more. The effect of a blurred background and a clear foreground that is not full frame, easing in (zooming in, panning, etc…). This is an awesome way to use non-full frame video and/or images/pictures, while keeping the background interesting
See how writer/director/editor Damien LeVeck used Sapphire effects to create a visual style and mood in his original film “The Cleansing Hour” using the Sapphire Effect Builder!
A short tutorial focusing on how to use the Sapphire Effect Builder to created advanced motion graphics, right from within the Avid Media Composer timeline. Damien LeVeck (damienleveck.com/), an accomplished editor based in Los Angeles, CA will walk you through how he uses the Sapphire Builder in his everyday work to create complex motion graphics,
Developed with Media Composer editors in mind, Sapphire Builder helps editors create custom effects and transitions quickly and easily, and is fully integrated within the Media Composer workflow. The result? The potential to build endless, professional looks for increased production value. Damien LeVeck (damienleveck.com/), an accomplished editor based in Los Angeles, CA will walk you
Ever wish your source track automatically patched to the track you are working on? Watch this tutorial to see a quick way to auto-patch your source track to your active timeline track in Avid Media Composer! Software used: Media Composer 8.9.3 http://redarrowindustries.com/ https://www.facebook.com/RedArrowIndustries/
Ever wish your timeline monitor automatically updated to the track you are modifying? Watch this tutorial to see a quick way to auto-monitor your active timeline track in Avid Media Composer! Software used: Media Composer 8.9.3 http://redarrowindustries.com/ https://www.facebook.com/RedArrowIndustries/
Learn how to use Sapphire 11 to track lens flares automatically in Avid Media Composer
This tutorial will go over how to properly import graphics for broadcast. I will explain each import option in Avid Media Composer to ensure that when you import you will meet proper legal broadcast standards. Software used: Media Composer 8.5.1 http://redarrowindustries.com/ https://www.facebook.com/RedArrowIndustries/
In this lesson, Kevin P McAuliffe talks about taking your Chroma Keying workflows to the next level, by using Boris Continuum Complete’s Primatte Studio. New to version BCC 11, this essential tool will take your keying work to new levels, and prove that you don’t need to leave the comfort of your NLE, to create
In this lesson, Kevin P McAuliffe continues the discussion on Chroma Keying by talking about the other included effect inside of Media Composer, and that’s SpectraMatte. SpectraMatte takes your keying to the next level by adding addition features to your toolkit like more in-depth Chroma and Luma controls, Spill Reduction parameters and even geometric adjustments
In this lesson, Kevin P McAuliffe answers a viewer question about working creating Pan & Zooms with image sequences that are larger than the current raster dimension he is editing with. In this lesson, we talk about linking to DPX image sequences, and how to manipulate them, by working with the FrameFlex Parameter! Channel: https://www.youtube.com/letseditMC_avid
Hi, I’m the guy updating this site. I hope you enjoy it, and that it’s useful for you. I don’t make the videos here, but I do collect them and add it here, so you can find them.
If you enjoy this page, and you absolutely want to give something back for my work of collecting these, then here is my paypal.
