Avid Media Composer 2019 is here and you have questions. Join Avid certified editor, Benjamin Patch who has collected your questions, organized them into several categories, merged a few together, and created this tutorial as a concise series of answers. Benjamin Patch will cover everything from bug workarounds, to interface preferences, feature requests, and even
In this lesson, Kevin P McAuliffe talks about a process that most editors dread, and that is Chromakeying. It can be a tough job. Either your key is not good, or the tool you’re attempting to pull your key with is subpar. That’s where Boris FX’s Primatte Studio can really save your day. This keying
Fluid Morph is a pretty cool feature. It allows you to smooth out Jump Cuts in an interview setting. This is not a perfect solution, nor does it work all the time. But, in the right setting, it does alright. 1:20 – Jump right into it. Fluid Morph
In this lesson, Kevin P McAuliffe answers a viewers question about how to Offline 4K Red footage in HD, and then relink to your original RAW footage to finish and export your final master. To make matters a little more difficult, we’re going to use clips with different frame rates, but with the newest version
In this lesson, Kevin P McAuliffe talks about the new Multicam updates in the 2019 version of Media Composer. Added at the very end of 2018 (2018.12), Group Clips, the core of Multicam editing have been given an overhaul, and have had the ability to edit them added, which is a much welcome update. We’ll
Quick Tip Thursday this is a super fast way to use keyboard shortcuts to make a freeze frame in AVID. Preview the whole first section of the online course at avidbeer. com Learn Avid faster so you have time to drink more beer! Twitter — @avidbeer
I’m going to talk out what I think is unconventional but the best way to do Dips to Black and White Flashes in AVID. Take the full online course at avidbeer.com Twitter — avidbeer
One of the capabilities that differentiates Avid Media Composer 2019 from other editing software is its impressive ability to handle massive amounts of media. This is critical for long-form documentaries, feature films, and episodic content. The way you as an editor or an assistant manage all of this content is through bins. The key to
Quick Tip Thursday– Best way to change the gain of multiple clips in AVID. Edit video faster so you have time to drink more beer! Take the full online course at avidbeer.com Follow on Twitter @avidbeer
I’m going to talk as I loop an animation for an hour for a podcast video to be put up on YouTube. Edit video faster so you can drink more beer! Take the full online course at avidbeer.com Learn AVID faster so you can drink more beer! Follow on Twitter @avidbeer
1:10 – Audio Levels on Tracks2:11 – Automate Pan2:35 – Working in Surround Sound4:38 – Adding Inserts6:00 – Nothing important past six minutes. Just rambling like I do. As always, let me know if you have any issues or problems. I’ll usually respond to comments, even stupid ones.
1:22 – Adding Markers1:57 – Volume2:51 – Limitation with cuts Whelp. Here’s my awesome tutorial on how to edit on the fly in the new Avid Media Composer. If you like watching good tutorials, leave now. ADDITIONAL NOTES: You can also Mute, Solo, and Show Waveform while it’s playing. If that matters to you.
In this tutorial, we will be upgrading our system to Avid Media Composer 2019. Then we will see how a project created in the previous version migrates into the new interface. Benjamin Patch invites you to join him in the first of many videos that will explore this significant new phase of Avid Media Composer
The new Media Composer offers you several new features, including new keyboard shortcuts, as well as the old ones. You can really speed up your editing with commands like in & out markers, lift, and overwrite, right at your fingertips. https://www.avid.com/mediacomposer
The new Media Composer offers you several new features, including the new user interface, which lets you dock your windows or let them float, and they automatically snap them into position, so you can work fluidly and intuitively. https://www.avid.com/mediacomposer
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