Imagine you’ve got major news stories breaking everywhere and an understaffed newsroom coping as best they can with an inundation of content coming in. With the industry’s most integrated, interconnected newsroom solutions, Avid can help you achieve a new level of production capability.
Today we announced the largest showcase of integrated media production technology the company has ever presented at NAB. We’re featuring completely new and upgraded solutions for advanced asset-based workflows spanning distributed production, multi-platform distribution, server and storage, and broadcast graphics, demonstrating how customers in news, sports, TV, and post-production can prepare for the demands of
From the most prestigious, award-winning productions, to music and movies made at home, Avid creates the technology that people use to make the most listened to, most watched and most loved media in the world.
Imagine it’s your job to create the most exciting, compelling content in the news, sports, TV, and film industries. Avid helps you achieve the level of excellence necessary to turn your company into tomorrow’s media enterprise with unique solutions for each industry segment.
Imagine the largest array of new product announcements from Avid at NAB in over a decade. Stay tuned to see how these solutions can help you achieve new levels of creative excellence and business performance.
Imagine you’ve got major news stories breaking everywhere and an understaffed newsroom coping as best they can with an inundation of content coming in. With the industry’s most integrated, interconnected newsroom solutions, Avid can help you achieve a new level of production capability.
Imagine you need to produce a new, high-end reality show that features a few wrinkles TV audiences have never seen before. With the power to work quicker and more collaboratively, Avid can help you achieve the viewer engagement and ratings necessary to make your show an unqualified success.
Imagine you’ve got a stadium full of fans you need to get out of their seats and onto their feet. Now you can achieve a level of entertainment that keeps those fans coming back or tuning in time after time-no matter how your team is doing on the field.
Correcting color can have you seeing red—literally—when working with a keyboard and mouse alone. With Artist Color, you get the precision and hands-on control you need to fix and enhance color to perfection. And you can keep your eyes on the picture instead of monitoring the interface. Get an in-depth walkthrough of the surface in
Follow Matt on Twitter – http://twitter.com/MattFeury Out with the old and in with the new! After a big year of new features and new hardware for Media Composer, Matt’s in the Rough Cut studio visiting with the ghosts of NLE’s past. Take a trip down memory lane and check out some things that you may
Professional editors and producers like you around the world have told us what you need to succeed. More efficient and easy-to-use video editing tools. An open platform that enables you to work with everything you want and integrate into any workflow. More power to eliminate bottlenecks, so you can work faster than ever. We listened.
When it comes to color grading, using a mouse can leave you seeing red — literally. With the compact, ergonomic Artist Color, you gain deep hands-on control to get the look you’re after — with great precision and speed. Plus, you get the superior feel and control of high-end grading hardware at a fraction of
Avid had just three months to design and integrate a state-of-the-art file-based HD production and post workflow for one of the UK’s biggest shows—while it was still being produced.
Have tons of media? Need to hit tight deadlines and win more work? See how one indie studio switched to Media Composer® and did just that. Editors tell us time and again that collaboration is the key to success in today’s post environment. More professionals build their businesses, and they’re reputations, with Avid®.
We sit down with Chris Nelson A.C.E. Editor of Lost, Mad Men, and Six Feet Under to discuss his career in post-production and the challenges editors continue to face in “fixing it in post”. This presentation was the keynote for the UFVA 2011 Conference, recorded on-site at Emerson College.
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