Avid Support Plan customers and support partners can use the Customer Portal as a fast and easy way to submit cases online, anytime, to Avid Customer Success. For more videos regarding the Avid Master Account Click here
In this episode of The Rough Cut, producer Greg Spence gives us an inside look at their visual effects process and how they blend great location scouting with digital imagery to make fantasy a reality. With a workflow that often begins on location in the harshest conditions, Greg walks us through a post process that
Media Composer has long been the most trusted tool of professional editors. Media Composer 7 opens your possibilities even further, simplifying and accelerating file-based workflows and extending real-time production everywhere so you can focus on telling the best story possible. From new high-res workflows and AMA media management, to automated media operations and global collaboration,
The most powerful digital audio workstation just got more powerful. With an all-new, ultra-efficient audio engine, 64-bit performance, and groundbreaking capabilities, Pro Tools 11 enables you to take on the most complex and demanding music and audio post productions with ease, so you can focus on sounding your best. What’s new in Pro Tools 11
Creating a sci-fi, adventure film with more than 1,000 visual effects, using a reliable, full-featured editing workflow.
This previously missing gem with features editor Eddie Hamilton was recorded live on our stage at NAB 2012. Eddie shares his passion for the art of editing and gives a behind-the-monitor look at the techniques he used on the films X-Men: First Class and Kick-Ass.
Meet The Avengers team—editor Jeff Ford, assistant editors Robin Buday and Matt Schmidt—and hear how they helped create one of the most successful films of all time with the help of Media Composer®, Pro Tools®, and Avid® shared storage.
See how concurrent collaboration enables the teams to create more inspired content faster. Hear how the editors create full 5.1 temp audio mixes in Media Composer while they cut. Gain insight into J.J.’s workflow and the special elements that he himself creates. Take a peek at their unique workflow, featuring Media Composer, Pro Tools, and
In this episode of The Rough Cut, I sit down with editor Tim Squyres on stage at the 2012 Boston SuperMeetUp. Tim, having just finished editing Ang Lee’s “Life of Pi” the Monday prior, has lots to share about shooting and editing in 3D, the role of the assistant editor on feature films, and his
Sign up for the webinar on November 20, 2012 ‒ http://forms.avid.com/forms/ModernFamily?cmpid=70140000000UdQv Join the editing team behind the hit TV sitcom Modern Family—editor Ryan Case and assistant editor Shaheed Qaasim—and host Matt Feury (Avid pro video marketing manager) for a discussion on what it takes to keep America laughing each week. Give Media Composer and ScriptSync
There was a huge buzz in the industry when we released Media Composer® 6, Symphony™ 6, and NewsCutter® 10 last year with 64-bit performance, third-party I/O workflows, stereoscopic 3D, hands-on Artist Series controller support, and a slick new interface. And now they’re even better—meet the new Media Composer 6.5 family, featuring: • New versioning and
ProTools|HD Native is a new generation of Pro Tools|HD system that enables you to compose, record, edit, and mix music and/or sound for picture—with great speed and ease. Consisting of an HD Native Thunderbolt interface or PCIe core card, Pro Tools HD software, and Pro Tools HD Series interface, Pro Tools|HD Native harnesses the power
Requiring only a NewsCutter or Media Composer editor and an internet connection to an Interplay Production workgroup, Interplay Sphere connects multiple remote editors simultaneously, letting them combine footage from the scene with material on the Interplay Production system. For quick turnaround, proxies of finished edits can precede upload of full resolution media, all becoming available
Follow Matt on Twitter – http://twitter.com/MattFeury In our 40th episode of The Rough Cut, Matt sits down with Producer and Director, Doug Liman (Swingers, The Bourne Identity, Covert Affairs). Doug talks about his experiences working in both film and television, as well as how to talk Brad Pitt and Angelina Jolie into doing your movie
With the latest versions of Media Composer, Symphony, and NewsCutter, you can now record, edit, and mix audio in up to 7.1 surround. Learn about the new tools and get a walkthrough on how to add surround tracks to your video projects, set up monitoring, split stereo material into surround, and mix audio in this
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