What does being an editor mean to you? Sound off in the comments, or tell us on Twitter with hashtag #ToBeAnEditor. The team recently had the chance to interview an amazing group of professional editors in filmmaking and post production. Each had a unique take on the role of the modern editor and explained why
The Broadcast and Media industry is facing unprecedented change—find out what you can do to win. Our new strategic vision will manifest itself as the most fluid end-to-end distributed media production environment in the industry—a comprehensive ecosystem that encompasses every aspect of the new digital media value chain. Learn how Avid Everywhere will help you
In this episode of The Rough Cut, producer Greg Spence gives us an inside look at their visual effects process and how they blend great location scouting with digital imagery to make fantasy a reality. With a workflow that often begins on location in the harshest conditions, Greg walks us through a post process that
Creating a sci-fi, adventure film with more than 1,000 visual effects, using a reliable, full-featured editing workflow.
This previously missing gem with features editor Eddie Hamilton was recorded live on our stage at NAB 2012. Eddie shares his passion for the art of editing and gives a behind-the-monitor look at the techniques he used on the films X-Men: First Class and Kick-Ass.
Meet The Avengers team—editor Jeff Ford, assistant editors Robin Buday and Matt Schmidt—and hear how they helped create one of the most successful films of all time with the help of Media Composer®, Pro Tools®, and Avid® shared storage.
See how concurrent collaboration enables the teams to create more inspired content faster. Hear how the editors create full 5.1 temp audio mixes in Media Composer while they cut. Gain insight into J.J.’s workflow and the special elements that he himself creates. Take a peek at their unique workflow, featuring Media Composer, Pro Tools, and
In this episode of The Rough Cut, I sit down with editor Tim Squyres on stage at the 2012 Boston SuperMeetUp. Tim, having just finished editing Ang Lee’s “Life of Pi” the Monday prior, has lots to share about shooting and editing in 3D, the role of the assistant editor on feature films, and his
Sign up for the webinar on November 20, 2012 ‒ http://forms.avid.com/forms/ModernFamily?cmpid=70140000000UdQv Join the editing team behind the hit TV sitcom Modern Family—editor Ryan Case and assistant editor Shaheed Qaasim—and host Matt Feury (Avid pro video marketing manager) for a discussion on what it takes to keep America laughing each week. Give Media Composer and ScriptSync
Follow Matt on Twitter – http://twitter.com/MattFeury In our 40th episode of The Rough Cut, Matt sits down with Producer and Director, Doug Liman (Swingers, The Bourne Identity, Covert Affairs). Doug talks about his experiences working in both film and television, as well as how to talk Brad Pitt and Angelina Jolie into doing your movie
From the most prestigious, award-winning productions, to music and movies made at home, Avid creates the technology that people use to make the most listened to, most watched and most loved media in the world.
Imagine you’ve got major news stories breaking everywhere and an understaffed newsroom coping as best they can with an inundation of content coming in. With the industry’s most integrated, interconnected newsroom solutions, Avid can help you achieve a new level of production capability.
Imagine you need to produce a new, high-end reality show that features a few wrinkles TV audiences have never seen before. With the power to work quicker and more collaboratively, Avid can help you achieve the viewer engagement and ratings necessary to make your show an unqualified success.
Imagine you’ve got a stadium full of fans you need to get out of their seats and onto their feet. Now you can achieve a level of entertainment that keeps those fans coming back or tuning in time after time-no matter how your team is doing on the field.
Avid had just three months to design and integrate a state-of-the-art file-based HD production and post workflow for one of the UK’s biggest shows—while it was still being produced.
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