The latest release of Avid Media Composer includes UI enhancements with the Command Palette Quick Find feature and Reverse Match Frame from the timeline context menu, continued improvements with the dashboard, alignments tools, and performance with Avid Titler +, added functionality with NDI output and the addition of SRT, or Secure Reliable Transport, to stream
Witness for the first time Avid’s “Over the Shoulder” demo in real-time with partner Haivision. Get the inside scoop about all the latest improvements, including: • The addition of SRT to Media Composer enabling a remote “Over the Shoulder” experience. • Increased track limits for Audio and Video. • Dockable and multiple Tool Palette features.
The editorial and sound teams from season three of Netflix’s Stranger Things join Avid’s Matt Feury to discuss their collaborative process and what went into creating some of their favorite scenes. LEARN MORE https://www.avid.com/all-access-video
Follow the instructions from this knowledge base article: Accessing Software Installers on the Avid Download Center https://avid.secure.force.com/pkb/articles/en_US/How_To/Using-the-Avid-Download-Center To sign up for an Avid Download Center account, follow the instruction from this knowledge base article: Creating an Account on the Download Center https://avid.secure.force.com/pkb/articles/en_US/how_to/Download-Center-Account
Instructions on how to sign up or an Avid Download Center Account can be found here: Creating an Account on the Download Center https://avid.secure.force.com/pkb/articles/en_US/how_to/Download-Center-Account Here’s how you can download installers from the Avid Download Center: Accessing Software Installers on the Avid Download Center https://avid.secure.force.com/pkb/articles/en_US/How_To/Using-the-Avid-Download-Center
What’s in store for the future of the media & entertainment industry? Avid CEO Jeff Rosica and Microsoft Azure CTO of Media & Entertainment, Hanno Basse joined ETC@USC’s live webinar “The Future of Media & Entertainment in a Time of Radical Change”
Join Microsoft, Haivision, and Avid in The Control Room for a second episode. We explore the Future Shades of Broadcasting with our partners Avid and Haivision speaking to cloud empowered broadcasting and content delivery. We’ll also be joined by an Emmy Award-winning producer from CNN and FoxSports providing an insider’s look at how the cloud
Using Avid | Edit on Demand, Gorilla rapidly spun up remote post production operations during coronavirus quarantinehttps://www.avid.com/remote-work
Your studio’s closed, who knows when it’s going to reopen. How do you continue delivering studio quality experiences without being in the studio? What options are out there editing on demand? Join Microsoft’s The Control Room for a discussion with leaders from Avid and Teradici on the innovative ways people are delivering studio quality work
Access and edit content into the story while being remotehttps://www.avid.com/mediacentral
Recorded live at the September 2019 lacpug Meet; Editor Lawrence Jordan ACE and VFX editor Jose Marra showed us their editing process on the VERY heavy VFX movie starring Marlon Wayons, SEXTUPLETS, where Marlon Wayons plays seven characters.
Editor Tom Cross gives you a guided tour of his incredible work on the movie, First Man. To hear the full interview with Tom, visit: www.theroughcutpod.com
With the new Media Composer | ScriptSync Option, you can quickly sync every source clip to its associated dialog line in your script or transcript in seconds. This makes it super easy to compare all performances in the context of your story, so you can choose the best take. http://www.avid.com/scriptsync
For someone who admits that he “never wanted to become an editor, I fell into it,” Tim Porter has amassed a pretty formidable list of editing credits over the last decade – including long-running TV series Shameless, Doctor Who and, most recently, Game of Thrones.
With credits including Brave, Finding Dory and the recent, charming Pixar short Piper, Sarah Reimers is now firmly established in the leading ranks of animation editing talent. But it was her experiences in film school — and the phenomenal levels of interest by her peers in directing — that encouraged her to pursue editing. Watch
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