In this lesson, Kevin P McAuliffe talks about User Settings. Most people create their user settings, and then only worry about their keyboard shortcuts. In this lesson, Kevin will discuss when you should create new user settings, and then show you now you can “borrow” settings from previous versions of your settings, or even from…
Media Creation Setting Explained! This video will show you how to set what drive to render and import media in AVID. I’m going to drink Swipe Light APA from Southern Tier Brewing Company this weekend. Take the full course on the 2018 version of Avid at avidbeer.com
Learn the basics of using Bin Containers within Avid Media Composer. This tutorial video is a super basic introduction to using a bin container with Media Composer. Here are a a couple of key features that may be foreign to even the most seasoned Avid user that hasn’t had the opportunity to upgrade to MC…
Learn the basics of Media Composer’s new magnetic interface using tabbed windows. This is the first of many videos I will be producing for the new Media Composer 2019.X interface. Eventually, I will have a series of videos covering the critical fundamentals of Avid Media Composer. I will be providing all the practice media that…
Download Bin of my favorite speed ramps with this link https://drive.google.com/file/d/15g-kTnBxiQUlXDKGbC4i_S5kj3PFHKS1/view Take the full course at avidbeer.com My beer of the week is Dogfish Brewery Slighty Mighty IPA
This is a really cool feature that allows to have your favorite bins from other projects in every new project you create. Quick Tip Thursday…my beer for this weekend will be Dogfish Slighty Mighty IPA Learn AVID faster so you have time to drink more beer! Full online courses at https://avidbeer.com
We welcomed Michael Krulik from Avid who showed the brand new re imagined Avid Media Composer 2019. Hosted by Michael Horton. In Collaboration with Surf Theater Productions
In this lesson, Kevin P McAuliffe gives you a great introduction to the awesome Particle Illusion effect, included in the 2019.5 version of Continuum from Boris FX. We’re going to look at adding this effect to a real world scenario, and the end result shows that this effect can add an additional layer of realism…
Group Clips in AVID explained! My favorite beer right now is Lawson’s Super Session #8 Take the full online course of the 2018 version of AVID at https://avidbeer.com/
Avid Media Composer 2019 is here and you have questions. Join Avid certified editor, Benjamin Patch who has collected your questions, organized them into several categories, merged a few together, and created this tutorial as a concise series of answers. Benjamin Patch will cover everything from bug workarounds, to interface preferences, feature requests, and even…
In this lesson, Kevin P McAuliffe talks about a process that most editors dread, and that is Chromakeying. It can be a tough job. Either your key is not good, or the tool you’re attempting to pull your key with is subpar. That’s where Boris FX’s Primatte Studio can really save your day. This keying…
Fluid Morph is a pretty cool feature. It allows you to smooth out Jump Cuts in an interview setting. This is not a perfect solution, nor does it work all the time. But, in the right setting, it does alright. 1:20 – Jump right into it. Fluid Morph
Editor Tom Cross gives you a guided tour of his incredible work on the movie, First Man. To hear the full interview with Tom, visit: www.theroughcutpod.com
In this lesson, Kevin P McAuliffe answers a viewers question about how to Offline 4K Red footage in HD, and then relink to your original RAW footage to finish and export your final master. To make matters a little more difficult, we’re going to use clips with different frame rates, but with the newest version…
In this lesson, Kevin P McAuliffe talks about the new Multicam updates in the 2019 version of Media Composer. Added at the very end of 2018 (2018.12), Group Clips, the core of Multicam editing have been given an overhaul, and have had the ability to edit them added, which is a much welcome update. We’ll…
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